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hardparadeTitle: like vast cracked ice
Author: likecharity
Pairing: Spencer Reid/Nathan Harris
Rating: NC-17
Warnings: Bloodplay with a potential murderer, dangerous things without a safeword, could be seen as dub-con in some parts.
Summary: It makes a strange sort of sense in Reid's mind—giving Nathan a way to express his urges in a controlled environment—but he knows it's not sensible, knows that at best he's just prolonging the inevitable and at worst, giving Nathan an even stronger appetite for something he's lusted after for years. And there's nothing to say he'll stop at this.
A/N: Haha, wow, WHAT IS THIS. Incredibly fucked up and much longer than I intended it to be, but I ship these two a ridiculous amount. First time writing fic for this fandom!
flashed up in my wildest dreams
the dark red bloodstreams
spreading out like vast cracked ice
the veins of you, the veins of me
like great forest trees
pushing through and on and in
—snow patrol; lifeboats
"Do you trust me?" Nathan asks. His voice cracks, and Reid knows it's because he wants so badly for the answer to be yes.
But Reid can't give him what he wants. Not what he truly wants. In fact, Nathan Harris can never have what he wants most in the world, because that will put him in prison, possibly on death row. And Reid can't trust him, because he knows this, knows that no matter how much a secret part of him has hope, his intellect is stronger, and even without his extensive psychological knowledge of People Like Nathan, it's really just common sense not to put your trust in a person who has homicidal urges.
Reid shakes his head, and drops his eyes so he doesn't have to see the way Nathan's face falls. In another situation, he might be rattling off statistics, explaining away his lack of trust as a built-in human attribute, the need for survival. But he's quiet, because he knows that Nathan won't see it that way no matter what he says, and because there's no need, at this point—trust or not, he's here, he's doing this. Or rather, letting Nathan do this. To him.
He shivers, then, from the cool air of the room on his bare skin, and maybe something more.
"I want you to trust me," Nathan says, in a small, hollow voice. His hand is cold on Reid's knee. "I don't—" He cuts himself off. Reid wonders whether he was going to say I don't want to hurt you, and almost smiles at the thought.
"It doesn't matter," he hears himself say. "You need this."
It sounds, maybe just a little bit, like a question, and Reid hates himself for that. Hates that he still hopes, against all odds, that they were all wrong about Nathan, that he's just confused, can turn things around, grow out of it perhaps. That maybe one of the reasons he's willing to do this is because it might make Nathan realise this isn't what he wants after all.
But that doesn't make sense. He can't back it up with facts, can't think of a single case study to support this theory. People may change, but urges like this—they don't. They don't just vanish. And so all of his thoughts are fuelled by emotion, and he can't stand that.
Nathan nods, rapid and sure but a little ashamed, not looking Reid in the eye. Reid's heart sinks, despite himself. He tries to tell himself he's doing a good thing, a sensible thing. He saved Nathan's life, so he holds some responsibility if others lose theirs as a result. And, like Gideon said, it's only a matter of time. Nathan cannot suppress his violent urges, and without an outlet, he will give into them. They tried, at the institution, to distract him—tried to find a way for him to channel his needs in some healthy way, but nothing worked. He left the place after spending about two years there, and, Reid has to admit, doesn't seem all that different for it.
They met up a few times for coffee after Nathan was discharged, which Reid told himself was okay—he'd had a personal interest in Nathan right from the start; it was normal for him to want to check up on the kid. And then Nathan asked if he could see where Reid lived, and Reid knew that was probably the point where he should have reeled things in, but at this point he still thought maybe Nathan was doing better, and that there was nothing strictly wrong with the two of them being friends. But after that, Nathan began showing up at Reid's late at night, claiming at first to have been in the neighbourhood, later admitting he'd been on his aimless nocturnal wanders again and ended up there (which, Reid thought, was at least better than where those wanders used to take him, to streets full of prostitutes to watch and fantasise about murdering).
They would always talk in Reid's bedroom, because his living room was rather lacking in furniture and messy, with books and files scattered everywhere. This was where Nathan began to admit that he didn't feel he was changing much at all, sitting with his knees bunched up to his chest and looking very small on Reid's bed, talking in a thin, sad voice about the thoughts and desires he still fought every day. And one night it got too late, and Nathan got too tired, drifted off to sleep while Reid was in the bathroom, and Reid covered him haphazardly with a blanket and curled up beside him still in his clothes, too tired himself to really think about it.
It became routine, though, until it reached the point where they were under the covers together, in nothing but underwear and t-shirts, and Reid knows that it's more than friendship but he doesn't know quite what it is. All he knows is that he feels responsible for Nathan, and that Nathan needs him, and that when the kid turns up on his doorstep looking all pale and drawn and needing comfort, giving it seems like the only option Reid has. He's started being late for work in the mornings because he has to drop Nathan back home and he knows the team probably thinks he's using again, and dreads the moment that one of them will ask. He doesn't know how to explain the truth.
This idea, though, is the most difficult to explain of all. It makes a strange sort of sense in Reid's mind—giving Nathan a way to express his urges in a controlled environment—but he knows it's not sensible, knows that at best he's just prolonging the inevitable, and at worst, giving Nathan an even stronger appetite for something he's lusted after for years. And there's nothing to say he'll stop at this.
Reid sees the way something flares in Nathan's eyes, now, and he knows this is a warning sign—as if he hasn't had enough already—but he can feel his blood pounding heavy through his veins in a way he hasn't felt in so long, and he can't stop.
"But—are you sure?" Nathan asks, but it's just a cursory gesture—Reid gets the very strong feeling that his response won't matter in the slightest, as Nathan is holding the little exacto-knife in hands that quiver with pure, eager anticipation and he's not even listening anymore, just gazing like a man possessed at the pale skin of Reid's thigh.
Even so, Reid whispers out a faint, "Yes." Just do it, he thinks, but can't say the words, anxious, overcome with adrenaline.
Nathan's eyes flicker up to Reid's face for a split-second, and his tongue rolls quickly over his lips. He turns the knife in his hand, the metal glints briefly as it catches the light. Each second that ticks by, Reid knows he should try and put a stop to this. As sure as he is that it wouldn't make an ounce of difference, he knows he should at least try, because right now it feels like he's signing his own death warrant. He's at the mercy of someone who has fantasised for years about murder, and that someone is currently in possession of a weapon (while Reid is completely unarmed, vulnerable, perched on the edge of the bed in nothing but a pair of boxer shorts, pushed up to expose his skinny thighs).
"N-Nathan," Reid's voice skitters over the name, "Nathan—please—just—" get it over with, he thinks, just do it, so that it's done.
He can't stand the waiting.
Nathan looks at him again, just a quick glance, and Reid sees that his eyes are dark with wanting and his lips are slightly parted, his breath coming quick, and he's so excited just from this, just from seeing Reid scared and helpless. And Reid thinks about the psychology, because he can't not—he thinks about all of the serial killers, the sexual sadists, for whom this is the ultimate turn-on: fear. He thinks of Tobias Hankel, of waiting for the belt to hit the tender soles of his feet, of waiting for the needle to sink into his arm, and he wonders what's wrong with him, why he would possibly want to put himself in this position again.
He trusts Nathan more than he trusted the man with three people in his head, but that's already much more than he should—he knows that people who want to kill want to kill, knows that better than anything, and he shouldn't try and tell himself he's safer here.
But Nathan's hesitation makes him wonder, then, just for a moment, whether he's really going to do it. His eyes seem to show some uncertainty, perhaps, and Reid wants to give them both a chance to back out, so he starts to say Nathan's name, just manages to open his mouth and make the smallest of sounds before—
The sharp rush of pain thrills through him as Nathan lashes out, so quick and so sudden that it takes Reid a moment to even process it. Less of a cut, more of a gash, a long slash of red across his thigh, blood welling up so fast that the cut is full of it by the time Reid looks, and it's dripping down between his legs, wetting the towels he'd spread out beneath him, blooming out across the pale fabric. It stings, hard, and he can hear himself gasping and he thinks maybe he cried out when the blade met his skin.
He realises then that the panting of breath is coming from Nathan, too, and he looks down at the boy crouched between his thighs and sees the knife shaking in his hand like he's buzzing with energy, his expression dark and thrilled and threatening.
"Can I—I need to—" Nathan stammers, words coming out in a rush, and he does it without waiting for an answer—slides his other hand across to the cut, touches it with tentative fingers, collects the droplets of blood on his fingertips. "Oh, god," he almost moans, smearing the blood down Reid's thigh.
He's had a taste of it now, Reid thinks, and he can't be stopped. So he's not surprised when Nathan slices the skin a second time, more slowly this time like he's savouring it, and when Reid jolts beneath him he gets a firm hand holding him down in response. The towels are wet under him, soaked with cooling blood, but the blood that trickles over his legs is hot and bright like the pain. After the third cut, the knife drops from Nathan's violently shaking hands, and then those same hands still and splay out across Reid's thigh, putting pressure on the fresh injuries, stroking, smoothing.
He thinks of Nathan's old psych evaluation—he found the file, searched it out, slid the papers into another folder like they were a dirty secret and read them hunched over his desk. It was such a clinical account, of course, and Reid found himself wondering how the shy teenage boy actually phrased such awful, abhorrent things. The file said that Nathan brought himself to climax with thoughts of cutting people, feeling their blood, and, as he had homicidal fantasies which were strongly linked to his sexual urges, this should not have come as a surprise to Reid, should not have made Reid's stomach twist that way, in morbid curiosity and something stronger. Something that went far beyond professional interest.
Nathan shuffles closer, chin sinking down onto Reid's bony knee, like he wants to get a closer look. And once again Reid knows, on a professional level, that he shouldn't be surprised when he feels Nathan's erection against his leg, but he flushes with it anyway, embarrassed, startled, scared—and Nathan presses insistently against him, eyes fixed on the damage he's done.
Reid takes a deep breath, tries to calm down, tries to focus on the fact that Nathan has stopped, though the way he's touching him is making him flinch, bringing fresh bursts of pain. He has a horribly familiar feeling, remembers the countless times he and the team have had to talk an unsub into putting down their weapon or backing away from the scene, thinks of the way they're so cautious in the way they move and talk, not wanting to make any sudden movements in case the criminal freaks and attacks. He feels just like this, now, scared to say anything or move an inch, not while the knife is still within reach and Nathan has that crazed look in his eyes, like he could do anything.
Nathan eases himself up, onto his knees, then settles back over him, one hand creeping down between his own legs and his other steady on Reid's thigh, smeared with blood. An image flashes back to Reid's mind, the image of his own hands covered in blood—Nathan's blood, and he remembers the way it felt, the way Nathan's weak bleeding wrists felt under the tight grip of his hands, hot and wet with that slowing pulse against his skin. He saved his life. He saved his life, and now he's doing this.
"N—" Reid forces out, "Nathan."
This is a mistake. Nathan snaps out of it suddenly, and his hand snatches the knife back. There is a fresh cut on Reid's other thigh before he even has a chance to try and defend himself, and he cries out honestly and openly this time, in shock and in pain, the sound breaking at the end, raw. He goes to clutch at the wound—it hurts even more than the others, deeper perhaps—but Nathan shoves his hands away agitatedly, replaces them with his own, probing, making Reid squirm, weak and sore.
"Nathan, please," Reid stammers desperately.
He wants to try and pry the knife from Nathan's fingers, but he's scared, scared that Nathan will lash out again, maybe actually stab him this time, and he's overwhelmed by that fear. He's always been wary around Nathan, of course, and he knew that doing this would be scary—but in this moment it honestly feels like one wrong move could lead to his death, and the full and certain realisation that Nathan might actually kill him almost bowls him over with its intensity. Nathan's eyes are dark and wild, and his fingers dig into Reid's thigh, worsening the flow of blood and sending another sharp shock of pain through Reid's body. He winces violently, instinctively pulling away, edging away across the bed as Nathan's hold loosens.
Nathan pushes him down onto his back, and he thinks of how he should try to stay calm, try not to show the fear he's feeling, because he knows it's only exciting Nathan more. But he can't seem to get anything under control, and when Nathan clambers up onto the bed over him, straddles him, his weight on Reid's tender, bleeding thighs, all Reid can do is stare up at him, mouth open, terrified and speechless. When Nathan leans down a little, shifts and steadies himself, Reid feels that hardness again, pushing at his stomach now, so hot and firm and solid it's almost painful.
He shuts his eyes when Nathan turns the knife over in his hand, dreading what's coming, not wanting to watch. His throat seizes up and he waits, hands fisted in the sheets. But what he feels is a slight, sharp tickle at the base of his neck between clavicles, and it takes him a moment to realise it's the blade's edge, gently running down over the skin of his chest down to his stomach, miming cutting him open from throat to navel. He shudders. When he opens his eyes, he sees a thin, faint red line marking him down the middle, a bisection. It's just the blood leftover on the knife, but as real as it looks to Reid, he knows it's not enough for Nathan. Nathan's teeth are gritted, and he's holding the knife so tightly his knuckles have gone white, the bones sticking out almost unnaturally under the pale skin.
"Nathan." Reid finds his voice. "Nathan." He says it quiet, gentle, like he's coaxing an animal. "Nathan. Please, put the knife down. Please," he begs.
He knows better than to try and wrestle it off him.
Nathan shakes his head once, decisive, and then more, quickly, vehemently. He brings the knife back up to Reid's chest, presses the blade to his breastbone but doesn't move, doesn't cut. Reid feels the sharpness of it all the same, digging into the skin, and his heart hammers beneath Nathan's clammy hand. The ache in his thighs echoes it, the injuries throbbing with his pulse. He realises, then, that Nathan is staring at him—not at the knife, but at him, looking right into his eyes with an amazed expression on his face.
"I can feel your heart beating," he murmurs.
Reid nods, faintly.
"It's beating really fast." Nathan seems completely enthralled by this, his voice just an awed whisper.
"I know. I'm—frightened," Reid manages.
The fixed look on Nathan's face is unnerving, his eyes unblinking. "Uh huh," he says faintly. He seems almost dazed.
"Nathan, please," Reid tries again. He's trying to stay completely still, because if he shifts just a tiny bit, the blade is going to cut him. "Please, Nathan, please put the knife down."
"I—I can't," Nathan forces out. His voice is high and tight and he isn't moving either, both of them frozen, stiff, tense.
"Yes you can, Nathan," Reid says desperately, "you can, you don't want to do this, you can—"
"I do," Nathan speaks over him harshly, angrily, "I do, I—"
Reid can't bear to hear it. "But you don't have to, Nathan." He speaks quickly—there's no time to form the perfect talk-down and he's sure as hell not going to be saved by back-up; the rest of the team aren't going to burst through the door to save him. "You don't have to do this, Nathan, you're better than this, you've been doing so well, just put the knife down, just—"
"I can't, Dr. Reid," Nathan spits out, the old name slipping out in his panic even though Reid's been telling him for weeks to call him Spencer. There are tears in his eyes; the wetness glints in the light.
"If you truly wanted to do this, you'd have done it already," Reid goes on, trying to stay calm, but the words are spilling out and he prays it won't seem like he's baiting him. "You're resisting for a reason. Come on, Nathan. Put the knife down."
He thinks he sees Nathan's fingers loosen a little, and he takes his chance, reaches up and covers Nathan's hand with his own, as gently as he can. Gradually, Nathan's hold goes slack, and Reid eases his hand to their side. Nathan lets go, then, sits up and brings his hand to his face to rub at his eyes, muttering, swearing. Quickly, Reid shoves the knife across the bed, but he can't quite reach far enough to push it off the bed. He hopes it's sufficiently out of reach, because Nathan seems unpredictable right now, even to him.
"Fuck," Nathan hisses out, angry, frustrated.
"It's okay, it's okay, shh," Reid murmurs awkwardly. His heart still pounds, his chest stinging, and he can see the deep indent left in his skin. He's relieved, but not entirely. Nathan is pressing the heels of his hands into his eyes, his breathing shaky and loud. "Shh, you did really well, it's okay—"
Suddenly, Nathan throws himself down over Reid, covers him with his body and buries his face in the crook of Reid's shoulder. Reid slowly becomes aware of other things again—he was so focused on the knife against his skin and so frozen in fear that everything else was whited out, but now—now he feels Nathan's hot breath, and his sweat making his t-shirt damp as it clings to Reid's own skin too. He feels the towels and sheets beneath them, soaked with blood, cold and sticking to the backs of his thighs. He feels Nathan's hair tickling his cheek. He can smell Nathan's sweat and soap and shampoo, and his own blood, sharp and strong.
"Shh, it's okay," Reid babbles again, reaches around to Nathan's back. He pats, feels stupid and tries to rub soothingly instead. Nathan is nearly sobbing, and Reid can tell how hard he's trying to hold back out of shame but his breathing is almost hysterical. "Nathan, it's okay, breathe, you're okay."
Nathan shifts, and Reid feels something else: that he's still hard, erection pressing against Reid's own crotch now, and Reid feels something twist deep down inside himself again, something sick and base and primal. His body doesn't care that Nathan was just seconds away from killing him; all it does is respond, instinctively, reflex reactions to stimuli and—Reid can cite the science as much as he likes, but it doesn't make him feel any better about it.
His hips buck up just a little of their own accord, and Nathan's breath hitches. He sniffs, swallows, and eases himself up onto his hands without meeting Reid's eyes. He shifts again, just the tiniest of movements, and Reid is growing hard fast beneath him, unable to stop himself. His hand is still resting against the small of Nathan's back, and he is suddenly acutely aware of that, the feel of the damp cotton against his fingers and the heat of Nathan's skin beneath it.
"Are you okay?" Reid asks.
"Yeah," Nathan replies, his voice small. He pauses. "Are you—um—?"
"Yeah. Yes." Reid flushes, and then—"Sorry," because it feels like something he should apologise for, if not to Nathan then to himself.
"I just—" says Nathan, and then breaks off. He still hasn't looked up at Reid, he's looking down between their bodies instead, which is only making Reid colour more. "I need—" Nathan says, and then stops again, steadying himself on one hand and brushing the other down Reid's side, to his thighs, to the cuts which are beginning to scab over.
Reid hears the way Nathan's breath catches in excitement as he strokes over the marks, but he knows it won't be enough. Nathan needs to see the damage he's done, because for this kind of sexual sadist, the visual aspects of the pain they inflict are almost more important than the tactile. In a flash, Reid remembers Mrs. Harris, flustered and grateful at the hospital the night Reid saved Nathan's life. She'd told them in a hushed, horrified voice what she'd found in her son's bedroom that night—pornography, she'd said, but with gruesome images stuck onto the pages, pictures of mutilated body parts all carefully cut out and taped onto the nude models. And once again, Reid was not surprised, but felt a strange heat in the pit of his belly at the thought of Nathan using such things as masturbation material, and it didn't matter how completely commonplace that was for someone with Nathan's tendencies, because it made Reid feel sickly fascinated like he was learning such a thing for the very first time.
And sure enough, Nathan needs to see the cuts again now, because they're not just images pasted into a magazine, they're real and red and sore, and he sits up and cranes his neck back to look. Reid feels Nathan brush his fingers over them again, and he blanches at the touch, as the healing process is disturbed and one of the cuts breaks open, begins to bleed again. Nathan won't stop staring.
"Oh, god," he says, quietly, and to anyone else's ears it might sound like horror, like regret, what-have-I-done, but Reid knows better, knows it's pure, heady arousal.
It's a textbook knowledge, of course, not based on any real experience. And maybe that's why it's so overwhelming to him now, to hear Nathan's voice so low and urgent like that, to feel the evidence of his arousal pressing against Reid's stomach. It's not him, Reid knows, knows that Nathan is turned on by the pain he's inflicted, by the injuries and the blood and Reid's fear, but even so—having this effect on someone is new, and it thrills him.
Nathan digs his fingers in a little, and Reid groans instinctively, squirming. The movement causes friction against his aching erection, which feels so good—better than it should, he thinks, but maybe it just seems that way, juxtaposed with the pain.
Suddenly, Nathan turns back to him, looks at him properly this time. He's chewing on his bottom lip, agitated, and his pupils are blown, his cheeks flushed. Reid's not sure he's ever seen anyone look quite so aroused before, and while it's exciting, it's still scary, because Nathan's lust could easily interfere with his morals in this situation and it only makes things more risky.
"Are—are you okay?" Reid asks, because it's very quiet. He seems to be taking the route of pretending not to be aware of Nathan's current state.
"Yeah, just," Nathan bites out, and rubs the sweat from his forehead with the back of his hand. He's trembling again. His palm is wet with Reid's blood, and Reid can see the thick scar across his wrist from his last experience with knives. He tries not to stare, and fails. "I just. Fuck. I'm sorry." He sighs heavily, shifting uncomfortably over Reid's hips, and Reid tries not to squirm.
"Don't be sorry," Reid says quietly. He's not entirely sure what Nathan's apologising for, but he can guess. "I understand."
Nathan opens his mouth, and then clamps his hand over it instead of saying anything more. He stares at Reid for a long moment, and then says, voice muffled against his fingers, "I'm just so—fuck."
"It's okay," Reid assures him, less hesitantly now.
He moves to sit up, feeling like it's safe to do so, and Nathan slips a little further down Reid's body—onto his thighs, which hurts like hell. Reid doesn't want to make any sudden movements, but Nathan isn't moving at all now, and so when he sits up, he ends up with Nathan's face only inches from his own.
"I, uh," he says, uncertainly, and then Nathan takes his hand away from his mouth and Reid sees that his lips are bright and shining, wet with Reid's own blood, and he forgets what he was going to say and just stares. Nathan's lips glisten, and Reid licks his own automatically, and everything is so stiflingly hot, the weight of Nathan on Reid's lap and that persistent stiffness against Reid's stomach. His heart is beating so fast it feels like there might be something wrong with it. The fear is melting down, evening out, into something else.
"It's okay," Reid says, hoarsely, averting his eyes. "M-maybe that's enough for tonight, maybe we should clean up and—I got some, I got some gauze and—" his voice is beginning to sound increasingly unsteady, wavering over the words, and he's staring at a random bloodstain on the bed instead of at Nathan's face, "—in the, in the bathroom there's some, um, antiseptic—"
His words die against Nathan's lips. First, there's Nathan's hands taking him roughly at the jaw to tilt his head back up, and then all there is is Nathan's mouth, pressing hot and sure against Reid's own. It's a shock, and Reid lets out a weak noise which only serves to spur Nathan on, tongue slipping past Reid's lips, and Reid grapples awkwardly at the sheets and then at Nathan's back, tasting the hot metal of his own blood and struggling to keep up. Nathan rocks against him, and the friction against his cock combined with the friction against the wounds is almost too much to handle—Reid whimpers and writhes, trying to simultaneously shy away from the touch and move into it.
"Oh, god," Nathan pants against Reid's lips before catching them in his own again, kissing him fiercely, and it's nothing like Reid's ever felt. It's nothing like Lila, gentle and slow—this is all desperation and hunger and a clash of teeth; Nathan's kissing Reid like his life depends on it, and it's overwhelming. Reid's never felt so wanted, and he's struggling to remember why this is a bad thing.
Nathan's hands slip from Reid's face and a moment later he feels them on his thighs, clutching again at the cut-up skin. Reid flinches violently and tries to pull back, but Nathan's thighs lock around his waist like a vice, legs crossing behind Reid's back and holding him there. Their eyes meet, and Reid gets another chill of fear flooding through him at the look on Nathan's face, remembering the danger he's in. Nathan's fingers rake over the injuries and he watches Reid's reaction intently, and Reid tries not to show how much it hurts but his lip quivers and he can't help but wince again, just a little. In response, he feels Nathan's erection digging into his stomach, harder than ever, and he darts a look down—sees the way Nathan's boxers are spotted with red and bulging at the crotch.
"Lie down," Nathan says, and Reid catches the way his voice trembles a little bit as he says it, "I'm—I'm sorry, I need—" and Reid doesn't know what to make of how much he's apologising, thinking, out of habit, about signs of remorse. He gets another sharp chill as a distant part of his brain wonders how Nathan would dispose of his body, whether he'd turn himself in.
Nathan opens his legs enough for Reid to be able to lie back, and Reid does, easing himself back along the bed until only his feet hang off the edge. He's still half-hard in spite of himself, unable to get things under control. Nathan isn't giving him much of a chance—he parts Reid's legs enough for his own to fit between them and then settles himself over Reid's body again, hesitating for a split-second before kissing him, harsh and needy. He's bucking between Reid's legs, hips thrusting erratically, and when his erection pushes up alongside Reid's, Reid lets out a moan, unbidden. Then Nathan's hand is worming down by his side, clutching at Reid's thigh again, needing to feel, and this time Reid almost whines, squirming beneath him. His pain just excites Nathan further, as he starts to grind down against Reid almost frantically. He stops momentarily to reach between his legs and shove his boxers down, just a little, just enough for Reid to catch a glimpse of flushed, slick, taut skin.
Reid catches Nathan's eye, but Nathan won't quite look at him. "Fuck, I'm—I'm sorry, can I—Dr. Reid—"
And Reid just forces out, "Spencer," because there are enough things wrong with this already without Nathan calling him that, and he doesn't know what Nathan is asking but it doesn't even matter, he knows Nathan is going to do it anyway, and—if past experience is any indication—Reid's probably going to like it. He feels his face burning again, but the shame isn't strong enough to make him stop.
Nathan's hand twitches agitatedly, and then he's yanking Reid's boxers down too, clumsy and rushed, reaching in with blood-slick fingers to pull out Reid's cock roughly, like he needs it, and Reid feels lightheaded and—and stupid, so stupid, because this is risky and wrong and so, so irresponsible, and—
And then Nathan is spitting into his hand and stroking them both together, once, quick and harsh. The gap between their bodies is closed once again and this time Reid stops thinking and just feels. He feels the hot slide of Nathan against him, lubricated with saliva and pre-come and maybe a little bit of blood, and it's not quite enough, but the way their skin catches and clings on the occasional downstroke feels good. It's so close, almost claustrophobic, like nothing Reid's ever experienced, just completely unscientific and instinctive and animal.
He's moving with Nathan now, hips snapping up off the bed as he rocks against Nathan in quick clumsy jerks. He's so caught up in the feeling—back arched, head thrown back, eyes squeezed shut, silently mouthing nonsensical things—that it's a long time before he realises Nathan has the knife again. He feels it before he sees it, senses a disruption in Nathan's rhythm first which he foolishly ignores, and then feels Nathan's knuckles and the cold metal handle of the knife brush his hip. He freezes, opens his eyes instantly, and he thinks he sees guilt on Nathan's face, somewhere beneath the lust that clouds his features.
"I'm sorry—I need it—I—" Nathan stammers, and Reid feels the slight flick of the blade against the skin of his hip, just a gentle nick like Nathan's hands are moving of their own accord.
If it was dangerous before, that's nothing compared to now, with Nathan blinded by his own arousal, less in control of his urges than ever, not to mention clumsy from the constant shallow thrusting of his hips seeking friction.
But Reid doesn't say no.
What he says is "N-Nathan," and even to his own ears he sounds fucking terrified, so it's no wonder that a pained, desperate expression crosses Nathan's face and the blade touches down on Reid's hip again.
"I can't stop it, Dr. Reid, I can't I can't I can't—" Nathan babbles, red-faced and wild-eyed as Reid sees his knuckles whiten again, and then the knife is pressed down and Reid feels it clearly this time, and hears it, the slow sharp slide of the blade's edge through his skin, cutting a long stripe from hip down to thigh.
Reid lets out a low moan, and Nathan fumbles with the knife, trying to keep a grip on it and collect the gathering droplets of blood on his fingertips at the same time. He bears down on Reid, hips churning frantically, and there's another cut and another and Reid feels the constant sting of it, the blood rolling slow down his thighs, wetting the fabric of his boxers. Everything is a distraction—the pleasure from the pain, the pain from the pleasure, until it's maddening, until all he can do is cant his hips weakly up, up, up, the two of them violently rhythmless and Nathan making frantic little eager sounds in his ear as he feels the blood flow through his fingers.
Reid comes first, which is another thing that shouldn't happen—Nathan's desires are so intense that something like this should be able to make him climax in an instant, but it's like he's savouring it, like he's using whatever control he has left to make this last longer instead of put a stop to it, like he's afraid he won't get another chance. But Reid—well, Reid feels like his every nerve is on fire, his body hypersensitive and overstimulated, feeling the sharp jab of pain pull him back from the edge again and again, until he needs to come so badly that finally it pushes him over, with a cut that slices under his hip. And then all he hears is white noise and his heart like a drum as he wavers, topples, surrenders, all shudder and gasp beneath the tense press of Nathan's body.
He hears Nathan's voice like he's underwater, at first, coming around much too slowly and finding it difficult to focus. Then he slowly becomes aware of Nathan pushing the knife further up the bed, towards him.
"Take it," Reid realises he's saying, and he seems crazed, frantic, "take it, please, I can't—"
Reid gathers himself together and grabs the knife, flings it off the bed quickly and Nathan seems to breathe a sigh of relief which Reid is too spent to echo. He's too dazed to realise how close a call that might have been, and distantly he knows how awful that is, how he should never have let his guard down, but now Nathan—Nathan is bringing himself off, greedy hands touching Reid everywhere, smearing the blood over Reid's skin and then sliding his cock after it, muttering and cursing almost hysterically. And then he's coming, in a sudden burst, body lurching violently forwards as he spills, messy, over Reid's stomach. Reid has never seen anybody come before, and he's captivated by it—the way Nathan's eyelids flutter, the sound he makes that wracks his frame.
But just as quickly as it happened, it's over, and Reid feels hot, sticky, disgusting, exhausted, and so sore he can barely cope with it. Nathan, though, seems almost exhilarated, mouth breaking into an almost disturbing grin as he milks the last of his orgasm from himself and then wipes his hands clean on his boxers. He seems relieved, and Reid can sort of recognise that even in his current state—there's been so much build-up, here, this is something Nathan has wanted to experience for so long, and even though he didn't kill anybody tonight, he still let out a lot of old tension that he's spent such a long time fighting.
But Reid feels a chill, coming down from the high of orgasm and becoming steadily more aware of how much pain he's in, his hips and thighs almost numb with it until he makes the slightest movement and then it's a fresh throb through his whole body as the cuts pull. He start to sit up, and Nathan gets the hint and clambers off him. Reid edges to the end of the bed, too fast, wincing, and grabs one of the blood-soaked towels to dab pointlessly at the injuries. He takes a deep breath and stands up, hitching his boxers back up around his hips and trying to ignore the painful pressure of the elastic waistband on the cuts. He turns back, and he sees Nathan curled in on himself on the bed, legs tucked neatly in, arms wrapped around them and his chin between his knees. The bed around him is an absolute mess—strewn with bloody towels, sheets soaked through where there weren't any—but he looks almost innocent, startlingly young all of a sudden.
"It kinda looks like a crime scene in here, huh?" Nathan says, joking maybe, but Reid's stomach twists.
He was, at least, semi-prepared for this—he has first-aid supplies set up in the bathroom for immediate after-care, he chose his thighs as the best place for the injuries because he knew they would be the most easily hidden, he set down towels, he made sure Nathan knew to avoid major arteries, and he knows how to help the cuts heal cleanly to avoid bad scarring. But as always, it's all practical—he didn't think about how it would feel, couldn't predict just how sore he'd be. He didn't think about the fact that the healing process is going to hurt and he's going to have to go to work with bandages wrapped tightly around his legs, trying not to wince with each movement.
"Are—are you okay?" Nathan asks in a small, worried voice.
"Yeah, yeah, I..." Reid trails off.
"Was that okay?"
Reid isn't sure how to answer that just yet. He tries to organise his thoughts. Can't. "I think so," is what he goes for in the end, but he doesn't sound convinced even of that.
Nathan nods. He's rocking back and forth, Reid realises then, just ever so slightly. "Would, um," Nathan says, and his fingers tap against his legs irritably, "would you let me do it again? I mean—not now, obviously, but I—I just, I'm going to need to do it again, and I—"
Something inside of Reid sinks. He thinks he must have been prepared for this, too, but it doesn't feel like it. "I can't think about that right now, Nathan," he replies, a little sharply.
Nathan clearly can, though—his eyes are darting back and forth, he can't stop looking at the cuts he's left on Reid's body and the blood all over the bed, and Reid wouldn't be surprised if he was aroused again already.
"I need to, uh, clean myself up," Reid hears himself say.
Nathan is on his feet in an instant. "Can I help? I think I should help, I mean, it's...it's my fault, you know, so..."
And Reid doesn't know—he doesn't know Nathan's motives, doesn't know if this is because he feels guilty or if he just wants another chance to examine the damage he's done, if he wants to see the water turn red and what the cuts look like when they're all cleaned off.
"Okay," he says, though, eventually, as Nathan stands there fidgeting in front of him. "Okay, can you go and fill the sink?" His voice sounds shaky again. "With cold water, not with hot—hot will just aggravate the blood flow, heat makes the vessels near the surface of the skin dilate and—" he cuts himself off, rubbing his forehead with the back of his hand. He feels a little bit like he's about to cry.
"Sp—Spencer?" Nathan asks nervously. He comes closer, hesitantly reaches up and eases Reid's hand down from his face. He holds it in his own, strokes it, surprisingly tender though Reid can see his own blood dried dark under the boy's fingernails. Nathan drops his eyes. "Thank you. I mean it. I—you're the only one who really...accepts, you know, who I am, and...this is..." he stumbles over his words, "I just. Thank you. Really."
Reid nods faintly.
"Sink full of cold water," Nathan says, then, nodding decisively and letting go of Reid's hand.
Reid watches him go, and then turns back to the bed, staring at the way the blood spreads over the pale bedding, maybe reaching right through to the mattress beneath. It's true—his own bedroom really does look like a crime scene. He's just not sure he's ready to see himself as the victim.
End.
Author: likecharity
Pairing: Spencer Reid/Nathan Harris
Rating: NC-17
Warnings: Bloodplay with a potential murderer, dangerous things without a safeword, could be seen as dub-con in some parts.
Summary: It makes a strange sort of sense in Reid's mind—giving Nathan a way to express his urges in a controlled environment—but he knows it's not sensible, knows that at best he's just prolonging the inevitable and at worst, giving Nathan an even stronger appetite for something he's lusted after for years. And there's nothing to say he'll stop at this.
A/N: Haha, wow, WHAT IS THIS. Incredibly fucked up and much longer than I intended it to be, but I ship these two a ridiculous amount. First time writing fic for this fandom!
flashed up in my wildest dreams
the dark red bloodstreams
spreading out like vast cracked ice
the veins of you, the veins of me
like great forest trees
pushing through and on and in
—snow patrol; lifeboats
"Do you trust me?" Nathan asks. His voice cracks, and Reid knows it's because he wants so badly for the answer to be yes.
But Reid can't give him what he wants. Not what he truly wants. In fact, Nathan Harris can never have what he wants most in the world, because that will put him in prison, possibly on death row. And Reid can't trust him, because he knows this, knows that no matter how much a secret part of him has hope, his intellect is stronger, and even without his extensive psychological knowledge of People Like Nathan, it's really just common sense not to put your trust in a person who has homicidal urges.
Reid shakes his head, and drops his eyes so he doesn't have to see the way Nathan's face falls. In another situation, he might be rattling off statistics, explaining away his lack of trust as a built-in human attribute, the need for survival. But he's quiet, because he knows that Nathan won't see it that way no matter what he says, and because there's no need, at this point—trust or not, he's here, he's doing this. Or rather, letting Nathan do this. To him.
He shivers, then, from the cool air of the room on his bare skin, and maybe something more.
"I want you to trust me," Nathan says, in a small, hollow voice. His hand is cold on Reid's knee. "I don't—" He cuts himself off. Reid wonders whether he was going to say I don't want to hurt you, and almost smiles at the thought.
"It doesn't matter," he hears himself say. "You need this."
It sounds, maybe just a little bit, like a question, and Reid hates himself for that. Hates that he still hopes, against all odds, that they were all wrong about Nathan, that he's just confused, can turn things around, grow out of it perhaps. That maybe one of the reasons he's willing to do this is because it might make Nathan realise this isn't what he wants after all.
But that doesn't make sense. He can't back it up with facts, can't think of a single case study to support this theory. People may change, but urges like this—they don't. They don't just vanish. And so all of his thoughts are fuelled by emotion, and he can't stand that.
Nathan nods, rapid and sure but a little ashamed, not looking Reid in the eye. Reid's heart sinks, despite himself. He tries to tell himself he's doing a good thing, a sensible thing. He saved Nathan's life, so he holds some responsibility if others lose theirs as a result. And, like Gideon said, it's only a matter of time. Nathan cannot suppress his violent urges, and without an outlet, he will give into them. They tried, at the institution, to distract him—tried to find a way for him to channel his needs in some healthy way, but nothing worked. He left the place after spending about two years there, and, Reid has to admit, doesn't seem all that different for it.
They met up a few times for coffee after Nathan was discharged, which Reid told himself was okay—he'd had a personal interest in Nathan right from the start; it was normal for him to want to check up on the kid. And then Nathan asked if he could see where Reid lived, and Reid knew that was probably the point where he should have reeled things in, but at this point he still thought maybe Nathan was doing better, and that there was nothing strictly wrong with the two of them being friends. But after that, Nathan began showing up at Reid's late at night, claiming at first to have been in the neighbourhood, later admitting he'd been on his aimless nocturnal wanders again and ended up there (which, Reid thought, was at least better than where those wanders used to take him, to streets full of prostitutes to watch and fantasise about murdering).
They would always talk in Reid's bedroom, because his living room was rather lacking in furniture and messy, with books and files scattered everywhere. This was where Nathan began to admit that he didn't feel he was changing much at all, sitting with his knees bunched up to his chest and looking very small on Reid's bed, talking in a thin, sad voice about the thoughts and desires he still fought every day. And one night it got too late, and Nathan got too tired, drifted off to sleep while Reid was in the bathroom, and Reid covered him haphazardly with a blanket and curled up beside him still in his clothes, too tired himself to really think about it.
It became routine, though, until it reached the point where they were under the covers together, in nothing but underwear and t-shirts, and Reid knows that it's more than friendship but he doesn't know quite what it is. All he knows is that he feels responsible for Nathan, and that Nathan needs him, and that when the kid turns up on his doorstep looking all pale and drawn and needing comfort, giving it seems like the only option Reid has. He's started being late for work in the mornings because he has to drop Nathan back home and he knows the team probably thinks he's using again, and dreads the moment that one of them will ask. He doesn't know how to explain the truth.
This idea, though, is the most difficult to explain of all. It makes a strange sort of sense in Reid's mind—giving Nathan a way to express his urges in a controlled environment—but he knows it's not sensible, knows that at best he's just prolonging the inevitable, and at worst, giving Nathan an even stronger appetite for something he's lusted after for years. And there's nothing to say he'll stop at this.
Reid sees the way something flares in Nathan's eyes, now, and he knows this is a warning sign—as if he hasn't had enough already—but he can feel his blood pounding heavy through his veins in a way he hasn't felt in so long, and he can't stop.
"But—are you sure?" Nathan asks, but it's just a cursory gesture—Reid gets the very strong feeling that his response won't matter in the slightest, as Nathan is holding the little exacto-knife in hands that quiver with pure, eager anticipation and he's not even listening anymore, just gazing like a man possessed at the pale skin of Reid's thigh.
Even so, Reid whispers out a faint, "Yes." Just do it, he thinks, but can't say the words, anxious, overcome with adrenaline.
Nathan's eyes flicker up to Reid's face for a split-second, and his tongue rolls quickly over his lips. He turns the knife in his hand, the metal glints briefly as it catches the light. Each second that ticks by, Reid knows he should try and put a stop to this. As sure as he is that it wouldn't make an ounce of difference, he knows he should at least try, because right now it feels like he's signing his own death warrant. He's at the mercy of someone who has fantasised for years about murder, and that someone is currently in possession of a weapon (while Reid is completely unarmed, vulnerable, perched on the edge of the bed in nothing but a pair of boxer shorts, pushed up to expose his skinny thighs).
"N-Nathan," Reid's voice skitters over the name, "Nathan—please—just—" get it over with, he thinks, just do it, so that it's done.
He can't stand the waiting.
Nathan looks at him again, just a quick glance, and Reid sees that his eyes are dark with wanting and his lips are slightly parted, his breath coming quick, and he's so excited just from this, just from seeing Reid scared and helpless. And Reid thinks about the psychology, because he can't not—he thinks about all of the serial killers, the sexual sadists, for whom this is the ultimate turn-on: fear. He thinks of Tobias Hankel, of waiting for the belt to hit the tender soles of his feet, of waiting for the needle to sink into his arm, and he wonders what's wrong with him, why he would possibly want to put himself in this position again.
He trusts Nathan more than he trusted the man with three people in his head, but that's already much more than he should—he knows that people who want to kill want to kill, knows that better than anything, and he shouldn't try and tell himself he's safer here.
But Nathan's hesitation makes him wonder, then, just for a moment, whether he's really going to do it. His eyes seem to show some uncertainty, perhaps, and Reid wants to give them both a chance to back out, so he starts to say Nathan's name, just manages to open his mouth and make the smallest of sounds before—
The sharp rush of pain thrills through him as Nathan lashes out, so quick and so sudden that it takes Reid a moment to even process it. Less of a cut, more of a gash, a long slash of red across his thigh, blood welling up so fast that the cut is full of it by the time Reid looks, and it's dripping down between his legs, wetting the towels he'd spread out beneath him, blooming out across the pale fabric. It stings, hard, and he can hear himself gasping and he thinks maybe he cried out when the blade met his skin.
He realises then that the panting of breath is coming from Nathan, too, and he looks down at the boy crouched between his thighs and sees the knife shaking in his hand like he's buzzing with energy, his expression dark and thrilled and threatening.
"Can I—I need to—" Nathan stammers, words coming out in a rush, and he does it without waiting for an answer—slides his other hand across to the cut, touches it with tentative fingers, collects the droplets of blood on his fingertips. "Oh, god," he almost moans, smearing the blood down Reid's thigh.
He's had a taste of it now, Reid thinks, and he can't be stopped. So he's not surprised when Nathan slices the skin a second time, more slowly this time like he's savouring it, and when Reid jolts beneath him he gets a firm hand holding him down in response. The towels are wet under him, soaked with cooling blood, but the blood that trickles over his legs is hot and bright like the pain. After the third cut, the knife drops from Nathan's violently shaking hands, and then those same hands still and splay out across Reid's thigh, putting pressure on the fresh injuries, stroking, smoothing.
He thinks of Nathan's old psych evaluation—he found the file, searched it out, slid the papers into another folder like they were a dirty secret and read them hunched over his desk. It was such a clinical account, of course, and Reid found himself wondering how the shy teenage boy actually phrased such awful, abhorrent things. The file said that Nathan brought himself to climax with thoughts of cutting people, feeling their blood, and, as he had homicidal fantasies which were strongly linked to his sexual urges, this should not have come as a surprise to Reid, should not have made Reid's stomach twist that way, in morbid curiosity and something stronger. Something that went far beyond professional interest.
Nathan shuffles closer, chin sinking down onto Reid's bony knee, like he wants to get a closer look. And once again Reid knows, on a professional level, that he shouldn't be surprised when he feels Nathan's erection against his leg, but he flushes with it anyway, embarrassed, startled, scared—and Nathan presses insistently against him, eyes fixed on the damage he's done.
Reid takes a deep breath, tries to calm down, tries to focus on the fact that Nathan has stopped, though the way he's touching him is making him flinch, bringing fresh bursts of pain. He has a horribly familiar feeling, remembers the countless times he and the team have had to talk an unsub into putting down their weapon or backing away from the scene, thinks of the way they're so cautious in the way they move and talk, not wanting to make any sudden movements in case the criminal freaks and attacks. He feels just like this, now, scared to say anything or move an inch, not while the knife is still within reach and Nathan has that crazed look in his eyes, like he could do anything.
Nathan eases himself up, onto his knees, then settles back over him, one hand creeping down between his own legs and his other steady on Reid's thigh, smeared with blood. An image flashes back to Reid's mind, the image of his own hands covered in blood—Nathan's blood, and he remembers the way it felt, the way Nathan's weak bleeding wrists felt under the tight grip of his hands, hot and wet with that slowing pulse against his skin. He saved his life. He saved his life, and now he's doing this.
"N—" Reid forces out, "Nathan."
This is a mistake. Nathan snaps out of it suddenly, and his hand snatches the knife back. There is a fresh cut on Reid's other thigh before he even has a chance to try and defend himself, and he cries out honestly and openly this time, in shock and in pain, the sound breaking at the end, raw. He goes to clutch at the wound—it hurts even more than the others, deeper perhaps—but Nathan shoves his hands away agitatedly, replaces them with his own, probing, making Reid squirm, weak and sore.
"Nathan, please," Reid stammers desperately.
He wants to try and pry the knife from Nathan's fingers, but he's scared, scared that Nathan will lash out again, maybe actually stab him this time, and he's overwhelmed by that fear. He's always been wary around Nathan, of course, and he knew that doing this would be scary—but in this moment it honestly feels like one wrong move could lead to his death, and the full and certain realisation that Nathan might actually kill him almost bowls him over with its intensity. Nathan's eyes are dark and wild, and his fingers dig into Reid's thigh, worsening the flow of blood and sending another sharp shock of pain through Reid's body. He winces violently, instinctively pulling away, edging away across the bed as Nathan's hold loosens.
Nathan pushes him down onto his back, and he thinks of how he should try to stay calm, try not to show the fear he's feeling, because he knows it's only exciting Nathan more. But he can't seem to get anything under control, and when Nathan clambers up onto the bed over him, straddles him, his weight on Reid's tender, bleeding thighs, all Reid can do is stare up at him, mouth open, terrified and speechless. When Nathan leans down a little, shifts and steadies himself, Reid feels that hardness again, pushing at his stomach now, so hot and firm and solid it's almost painful.
He shuts his eyes when Nathan turns the knife over in his hand, dreading what's coming, not wanting to watch. His throat seizes up and he waits, hands fisted in the sheets. But what he feels is a slight, sharp tickle at the base of his neck between clavicles, and it takes him a moment to realise it's the blade's edge, gently running down over the skin of his chest down to his stomach, miming cutting him open from throat to navel. He shudders. When he opens his eyes, he sees a thin, faint red line marking him down the middle, a bisection. It's just the blood leftover on the knife, but as real as it looks to Reid, he knows it's not enough for Nathan. Nathan's teeth are gritted, and he's holding the knife so tightly his knuckles have gone white, the bones sticking out almost unnaturally under the pale skin.
"Nathan." Reid finds his voice. "Nathan." He says it quiet, gentle, like he's coaxing an animal. "Nathan. Please, put the knife down. Please," he begs.
He knows better than to try and wrestle it off him.
Nathan shakes his head once, decisive, and then more, quickly, vehemently. He brings the knife back up to Reid's chest, presses the blade to his breastbone but doesn't move, doesn't cut. Reid feels the sharpness of it all the same, digging into the skin, and his heart hammers beneath Nathan's clammy hand. The ache in his thighs echoes it, the injuries throbbing with his pulse. He realises, then, that Nathan is staring at him—not at the knife, but at him, looking right into his eyes with an amazed expression on his face.
"I can feel your heart beating," he murmurs.
Reid nods, faintly.
"It's beating really fast." Nathan seems completely enthralled by this, his voice just an awed whisper.
"I know. I'm—frightened," Reid manages.
The fixed look on Nathan's face is unnerving, his eyes unblinking. "Uh huh," he says faintly. He seems almost dazed.
"Nathan, please," Reid tries again. He's trying to stay completely still, because if he shifts just a tiny bit, the blade is going to cut him. "Please, Nathan, please put the knife down."
"I—I can't," Nathan forces out. His voice is high and tight and he isn't moving either, both of them frozen, stiff, tense.
"Yes you can, Nathan," Reid says desperately, "you can, you don't want to do this, you can—"
"I do," Nathan speaks over him harshly, angrily, "I do, I—"
Reid can't bear to hear it. "But you don't have to, Nathan." He speaks quickly—there's no time to form the perfect talk-down and he's sure as hell not going to be saved by back-up; the rest of the team aren't going to burst through the door to save him. "You don't have to do this, Nathan, you're better than this, you've been doing so well, just put the knife down, just—"
"I can't, Dr. Reid," Nathan spits out, the old name slipping out in his panic even though Reid's been telling him for weeks to call him Spencer. There are tears in his eyes; the wetness glints in the light.
"If you truly wanted to do this, you'd have done it already," Reid goes on, trying to stay calm, but the words are spilling out and he prays it won't seem like he's baiting him. "You're resisting for a reason. Come on, Nathan. Put the knife down."
He thinks he sees Nathan's fingers loosen a little, and he takes his chance, reaches up and covers Nathan's hand with his own, as gently as he can. Gradually, Nathan's hold goes slack, and Reid eases his hand to their side. Nathan lets go, then, sits up and brings his hand to his face to rub at his eyes, muttering, swearing. Quickly, Reid shoves the knife across the bed, but he can't quite reach far enough to push it off the bed. He hopes it's sufficiently out of reach, because Nathan seems unpredictable right now, even to him.
"Fuck," Nathan hisses out, angry, frustrated.
"It's okay, it's okay, shh," Reid murmurs awkwardly. His heart still pounds, his chest stinging, and he can see the deep indent left in his skin. He's relieved, but not entirely. Nathan is pressing the heels of his hands into his eyes, his breathing shaky and loud. "Shh, you did really well, it's okay—"
Suddenly, Nathan throws himself down over Reid, covers him with his body and buries his face in the crook of Reid's shoulder. Reid slowly becomes aware of other things again—he was so focused on the knife against his skin and so frozen in fear that everything else was whited out, but now—now he feels Nathan's hot breath, and his sweat making his t-shirt damp as it clings to Reid's own skin too. He feels the towels and sheets beneath them, soaked with blood, cold and sticking to the backs of his thighs. He feels Nathan's hair tickling his cheek. He can smell Nathan's sweat and soap and shampoo, and his own blood, sharp and strong.
"Shh, it's okay," Reid babbles again, reaches around to Nathan's back. He pats, feels stupid and tries to rub soothingly instead. Nathan is nearly sobbing, and Reid can tell how hard he's trying to hold back out of shame but his breathing is almost hysterical. "Nathan, it's okay, breathe, you're okay."
Nathan shifts, and Reid feels something else: that he's still hard, erection pressing against Reid's own crotch now, and Reid feels something twist deep down inside himself again, something sick and base and primal. His body doesn't care that Nathan was just seconds away from killing him; all it does is respond, instinctively, reflex reactions to stimuli and—Reid can cite the science as much as he likes, but it doesn't make him feel any better about it.
His hips buck up just a little of their own accord, and Nathan's breath hitches. He sniffs, swallows, and eases himself up onto his hands without meeting Reid's eyes. He shifts again, just the tiniest of movements, and Reid is growing hard fast beneath him, unable to stop himself. His hand is still resting against the small of Nathan's back, and he is suddenly acutely aware of that, the feel of the damp cotton against his fingers and the heat of Nathan's skin beneath it.
"Are you okay?" Reid asks.
"Yeah," Nathan replies, his voice small. He pauses. "Are you—um—?"
"Yeah. Yes." Reid flushes, and then—"Sorry," because it feels like something he should apologise for, if not to Nathan then to himself.
"I just—" says Nathan, and then breaks off. He still hasn't looked up at Reid, he's looking down between their bodies instead, which is only making Reid colour more. "I need—" Nathan says, and then stops again, steadying himself on one hand and brushing the other down Reid's side, to his thighs, to the cuts which are beginning to scab over.
Reid hears the way Nathan's breath catches in excitement as he strokes over the marks, but he knows it won't be enough. Nathan needs to see the damage he's done, because for this kind of sexual sadist, the visual aspects of the pain they inflict are almost more important than the tactile. In a flash, Reid remembers Mrs. Harris, flustered and grateful at the hospital the night Reid saved Nathan's life. She'd told them in a hushed, horrified voice what she'd found in her son's bedroom that night—pornography, she'd said, but with gruesome images stuck onto the pages, pictures of mutilated body parts all carefully cut out and taped onto the nude models. And once again, Reid was not surprised, but felt a strange heat in the pit of his belly at the thought of Nathan using such things as masturbation material, and it didn't matter how completely commonplace that was for someone with Nathan's tendencies, because it made Reid feel sickly fascinated like he was learning such a thing for the very first time.
And sure enough, Nathan needs to see the cuts again now, because they're not just images pasted into a magazine, they're real and red and sore, and he sits up and cranes his neck back to look. Reid feels Nathan brush his fingers over them again, and he blanches at the touch, as the healing process is disturbed and one of the cuts breaks open, begins to bleed again. Nathan won't stop staring.
"Oh, god," he says, quietly, and to anyone else's ears it might sound like horror, like regret, what-have-I-done, but Reid knows better, knows it's pure, heady arousal.
It's a textbook knowledge, of course, not based on any real experience. And maybe that's why it's so overwhelming to him now, to hear Nathan's voice so low and urgent like that, to feel the evidence of his arousal pressing against Reid's stomach. It's not him, Reid knows, knows that Nathan is turned on by the pain he's inflicted, by the injuries and the blood and Reid's fear, but even so—having this effect on someone is new, and it thrills him.
Nathan digs his fingers in a little, and Reid groans instinctively, squirming. The movement causes friction against his aching erection, which feels so good—better than it should, he thinks, but maybe it just seems that way, juxtaposed with the pain.
Suddenly, Nathan turns back to him, looks at him properly this time. He's chewing on his bottom lip, agitated, and his pupils are blown, his cheeks flushed. Reid's not sure he's ever seen anyone look quite so aroused before, and while it's exciting, it's still scary, because Nathan's lust could easily interfere with his morals in this situation and it only makes things more risky.
"Are—are you okay?" Reid asks, because it's very quiet. He seems to be taking the route of pretending not to be aware of Nathan's current state.
"Yeah, just," Nathan bites out, and rubs the sweat from his forehead with the back of his hand. He's trembling again. His palm is wet with Reid's blood, and Reid can see the thick scar across his wrist from his last experience with knives. He tries not to stare, and fails. "I just. Fuck. I'm sorry." He sighs heavily, shifting uncomfortably over Reid's hips, and Reid tries not to squirm.
"Don't be sorry," Reid says quietly. He's not entirely sure what Nathan's apologising for, but he can guess. "I understand."
Nathan opens his mouth, and then clamps his hand over it instead of saying anything more. He stares at Reid for a long moment, and then says, voice muffled against his fingers, "I'm just so—fuck."
"It's okay," Reid assures him, less hesitantly now.
He moves to sit up, feeling like it's safe to do so, and Nathan slips a little further down Reid's body—onto his thighs, which hurts like hell. Reid doesn't want to make any sudden movements, but Nathan isn't moving at all now, and so when he sits up, he ends up with Nathan's face only inches from his own.
"I, uh," he says, uncertainly, and then Nathan takes his hand away from his mouth and Reid sees that his lips are bright and shining, wet with Reid's own blood, and he forgets what he was going to say and just stares. Nathan's lips glisten, and Reid licks his own automatically, and everything is so stiflingly hot, the weight of Nathan on Reid's lap and that persistent stiffness against Reid's stomach. His heart is beating so fast it feels like there might be something wrong with it. The fear is melting down, evening out, into something else.
"It's okay," Reid says, hoarsely, averting his eyes. "M-maybe that's enough for tonight, maybe we should clean up and—I got some, I got some gauze and—" his voice is beginning to sound increasingly unsteady, wavering over the words, and he's staring at a random bloodstain on the bed instead of at Nathan's face, "—in the, in the bathroom there's some, um, antiseptic—"
His words die against Nathan's lips. First, there's Nathan's hands taking him roughly at the jaw to tilt his head back up, and then all there is is Nathan's mouth, pressing hot and sure against Reid's own. It's a shock, and Reid lets out a weak noise which only serves to spur Nathan on, tongue slipping past Reid's lips, and Reid grapples awkwardly at the sheets and then at Nathan's back, tasting the hot metal of his own blood and struggling to keep up. Nathan rocks against him, and the friction against his cock combined with the friction against the wounds is almost too much to handle—Reid whimpers and writhes, trying to simultaneously shy away from the touch and move into it.
"Oh, god," Nathan pants against Reid's lips before catching them in his own again, kissing him fiercely, and it's nothing like Reid's ever felt. It's nothing like Lila, gentle and slow—this is all desperation and hunger and a clash of teeth; Nathan's kissing Reid like his life depends on it, and it's overwhelming. Reid's never felt so wanted, and he's struggling to remember why this is a bad thing.
Nathan's hands slip from Reid's face and a moment later he feels them on his thighs, clutching again at the cut-up skin. Reid flinches violently and tries to pull back, but Nathan's thighs lock around his waist like a vice, legs crossing behind Reid's back and holding him there. Their eyes meet, and Reid gets another chill of fear flooding through him at the look on Nathan's face, remembering the danger he's in. Nathan's fingers rake over the injuries and he watches Reid's reaction intently, and Reid tries not to show how much it hurts but his lip quivers and he can't help but wince again, just a little. In response, he feels Nathan's erection digging into his stomach, harder than ever, and he darts a look down—sees the way Nathan's boxers are spotted with red and bulging at the crotch.
"Lie down," Nathan says, and Reid catches the way his voice trembles a little bit as he says it, "I'm—I'm sorry, I need—" and Reid doesn't know what to make of how much he's apologising, thinking, out of habit, about signs of remorse. He gets another sharp chill as a distant part of his brain wonders how Nathan would dispose of his body, whether he'd turn himself in.
Nathan opens his legs enough for Reid to be able to lie back, and Reid does, easing himself back along the bed until only his feet hang off the edge. He's still half-hard in spite of himself, unable to get things under control. Nathan isn't giving him much of a chance—he parts Reid's legs enough for his own to fit between them and then settles himself over Reid's body again, hesitating for a split-second before kissing him, harsh and needy. He's bucking between Reid's legs, hips thrusting erratically, and when his erection pushes up alongside Reid's, Reid lets out a moan, unbidden. Then Nathan's hand is worming down by his side, clutching at Reid's thigh again, needing to feel, and this time Reid almost whines, squirming beneath him. His pain just excites Nathan further, as he starts to grind down against Reid almost frantically. He stops momentarily to reach between his legs and shove his boxers down, just a little, just enough for Reid to catch a glimpse of flushed, slick, taut skin.
Reid catches Nathan's eye, but Nathan won't quite look at him. "Fuck, I'm—I'm sorry, can I—Dr. Reid—"
And Reid just forces out, "Spencer," because there are enough things wrong with this already without Nathan calling him that, and he doesn't know what Nathan is asking but it doesn't even matter, he knows Nathan is going to do it anyway, and—if past experience is any indication—Reid's probably going to like it. He feels his face burning again, but the shame isn't strong enough to make him stop.
Nathan's hand twitches agitatedly, and then he's yanking Reid's boxers down too, clumsy and rushed, reaching in with blood-slick fingers to pull out Reid's cock roughly, like he needs it, and Reid feels lightheaded and—and stupid, so stupid, because this is risky and wrong and so, so irresponsible, and—
And then Nathan is spitting into his hand and stroking them both together, once, quick and harsh. The gap between their bodies is closed once again and this time Reid stops thinking and just feels. He feels the hot slide of Nathan against him, lubricated with saliva and pre-come and maybe a little bit of blood, and it's not quite enough, but the way their skin catches and clings on the occasional downstroke feels good. It's so close, almost claustrophobic, like nothing Reid's ever experienced, just completely unscientific and instinctive and animal.
He's moving with Nathan now, hips snapping up off the bed as he rocks against Nathan in quick clumsy jerks. He's so caught up in the feeling—back arched, head thrown back, eyes squeezed shut, silently mouthing nonsensical things—that it's a long time before he realises Nathan has the knife again. He feels it before he sees it, senses a disruption in Nathan's rhythm first which he foolishly ignores, and then feels Nathan's knuckles and the cold metal handle of the knife brush his hip. He freezes, opens his eyes instantly, and he thinks he sees guilt on Nathan's face, somewhere beneath the lust that clouds his features.
"I'm sorry—I need it—I—" Nathan stammers, and Reid feels the slight flick of the blade against the skin of his hip, just a gentle nick like Nathan's hands are moving of their own accord.
If it was dangerous before, that's nothing compared to now, with Nathan blinded by his own arousal, less in control of his urges than ever, not to mention clumsy from the constant shallow thrusting of his hips seeking friction.
But Reid doesn't say no.
What he says is "N-Nathan," and even to his own ears he sounds fucking terrified, so it's no wonder that a pained, desperate expression crosses Nathan's face and the blade touches down on Reid's hip again.
"I can't stop it, Dr. Reid, I can't I can't I can't—" Nathan babbles, red-faced and wild-eyed as Reid sees his knuckles whiten again, and then the knife is pressed down and Reid feels it clearly this time, and hears it, the slow sharp slide of the blade's edge through his skin, cutting a long stripe from hip down to thigh.
Reid lets out a low moan, and Nathan fumbles with the knife, trying to keep a grip on it and collect the gathering droplets of blood on his fingertips at the same time. He bears down on Reid, hips churning frantically, and there's another cut and another and Reid feels the constant sting of it, the blood rolling slow down his thighs, wetting the fabric of his boxers. Everything is a distraction—the pleasure from the pain, the pain from the pleasure, until it's maddening, until all he can do is cant his hips weakly up, up, up, the two of them violently rhythmless and Nathan making frantic little eager sounds in his ear as he feels the blood flow through his fingers.
Reid comes first, which is another thing that shouldn't happen—Nathan's desires are so intense that something like this should be able to make him climax in an instant, but it's like he's savouring it, like he's using whatever control he has left to make this last longer instead of put a stop to it, like he's afraid he won't get another chance. But Reid—well, Reid feels like his every nerve is on fire, his body hypersensitive and overstimulated, feeling the sharp jab of pain pull him back from the edge again and again, until he needs to come so badly that finally it pushes him over, with a cut that slices under his hip. And then all he hears is white noise and his heart like a drum as he wavers, topples, surrenders, all shudder and gasp beneath the tense press of Nathan's body.
He hears Nathan's voice like he's underwater, at first, coming around much too slowly and finding it difficult to focus. Then he slowly becomes aware of Nathan pushing the knife further up the bed, towards him.
"Take it," Reid realises he's saying, and he seems crazed, frantic, "take it, please, I can't—"
Reid gathers himself together and grabs the knife, flings it off the bed quickly and Nathan seems to breathe a sigh of relief which Reid is too spent to echo. He's too dazed to realise how close a call that might have been, and distantly he knows how awful that is, how he should never have let his guard down, but now Nathan—Nathan is bringing himself off, greedy hands touching Reid everywhere, smearing the blood over Reid's skin and then sliding his cock after it, muttering and cursing almost hysterically. And then he's coming, in a sudden burst, body lurching violently forwards as he spills, messy, over Reid's stomach. Reid has never seen anybody come before, and he's captivated by it—the way Nathan's eyelids flutter, the sound he makes that wracks his frame.
But just as quickly as it happened, it's over, and Reid feels hot, sticky, disgusting, exhausted, and so sore he can barely cope with it. Nathan, though, seems almost exhilarated, mouth breaking into an almost disturbing grin as he milks the last of his orgasm from himself and then wipes his hands clean on his boxers. He seems relieved, and Reid can sort of recognise that even in his current state—there's been so much build-up, here, this is something Nathan has wanted to experience for so long, and even though he didn't kill anybody tonight, he still let out a lot of old tension that he's spent such a long time fighting.
But Reid feels a chill, coming down from the high of orgasm and becoming steadily more aware of how much pain he's in, his hips and thighs almost numb with it until he makes the slightest movement and then it's a fresh throb through his whole body as the cuts pull. He start to sit up, and Nathan gets the hint and clambers off him. Reid edges to the end of the bed, too fast, wincing, and grabs one of the blood-soaked towels to dab pointlessly at the injuries. He takes a deep breath and stands up, hitching his boxers back up around his hips and trying to ignore the painful pressure of the elastic waistband on the cuts. He turns back, and he sees Nathan curled in on himself on the bed, legs tucked neatly in, arms wrapped around them and his chin between his knees. The bed around him is an absolute mess—strewn with bloody towels, sheets soaked through where there weren't any—but he looks almost innocent, startlingly young all of a sudden.
"It kinda looks like a crime scene in here, huh?" Nathan says, joking maybe, but Reid's stomach twists.
He was, at least, semi-prepared for this—he has first-aid supplies set up in the bathroom for immediate after-care, he chose his thighs as the best place for the injuries because he knew they would be the most easily hidden, he set down towels, he made sure Nathan knew to avoid major arteries, and he knows how to help the cuts heal cleanly to avoid bad scarring. But as always, it's all practical—he didn't think about how it would feel, couldn't predict just how sore he'd be. He didn't think about the fact that the healing process is going to hurt and he's going to have to go to work with bandages wrapped tightly around his legs, trying not to wince with each movement.
"Are—are you okay?" Nathan asks in a small, worried voice.
"Yeah, yeah, I..." Reid trails off.
"Was that okay?"
Reid isn't sure how to answer that just yet. He tries to organise his thoughts. Can't. "I think so," is what he goes for in the end, but he doesn't sound convinced even of that.
Nathan nods. He's rocking back and forth, Reid realises then, just ever so slightly. "Would, um," Nathan says, and his fingers tap against his legs irritably, "would you let me do it again? I mean—not now, obviously, but I—I just, I'm going to need to do it again, and I—"
Something inside of Reid sinks. He thinks he must have been prepared for this, too, but it doesn't feel like it. "I can't think about that right now, Nathan," he replies, a little sharply.
Nathan clearly can, though—his eyes are darting back and forth, he can't stop looking at the cuts he's left on Reid's body and the blood all over the bed, and Reid wouldn't be surprised if he was aroused again already.
"I need to, uh, clean myself up," Reid hears himself say.
Nathan is on his feet in an instant. "Can I help? I think I should help, I mean, it's...it's my fault, you know, so..."
And Reid doesn't know—he doesn't know Nathan's motives, doesn't know if this is because he feels guilty or if he just wants another chance to examine the damage he's done, if he wants to see the water turn red and what the cuts look like when they're all cleaned off.
"Okay," he says, though, eventually, as Nathan stands there fidgeting in front of him. "Okay, can you go and fill the sink?" His voice sounds shaky again. "With cold water, not with hot—hot will just aggravate the blood flow, heat makes the vessels near the surface of the skin dilate and—" he cuts himself off, rubbing his forehead with the back of his hand. He feels a little bit like he's about to cry.
"Sp—Spencer?" Nathan asks nervously. He comes closer, hesitantly reaches up and eases Reid's hand down from his face. He holds it in his own, strokes it, surprisingly tender though Reid can see his own blood dried dark under the boy's fingernails. Nathan drops his eyes. "Thank you. I mean it. I—you're the only one who really...accepts, you know, who I am, and...this is..." he stumbles over his words, "I just. Thank you. Really."
Reid nods faintly.
"Sink full of cold water," Nathan says, then, nodding decisively and letting go of Reid's hand.
Reid watches him go, and then turns back to the bed, staring at the way the blood spreads over the pale bedding, maybe reaching right through to the mattress beneath. It's true—his own bedroom really does look like a crime scene. He's just not sure he's ready to see himself as the victim.
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Date: 2011-03-15 10:09 pm (UTC)GOD the whole severe-injury-by-mistake thing is like, painful to think about, but I imagine Reid would be like OH GOD DON'T TAKE ME TO THE HOSPITAL and try and talk Nathan through trying to staunch the bloodflow or whatever, but eventually he'd realise they needed a professional, or start passing out or something. And he'd probably think it would be a better option to go to the hospital, because at least no one KNOWS him there, like, he can't deal with any of the team knowing about this. Because part of him is so ASHAMED, and then also like, he wants to protect Nathan in this weird way? Like he knows that if anyone knows Nathan did this, the kid'll be in huge trouble? SO MAYBE HE WOULD TELL THE DOCTOR HE DID IT TO HIMSELF. God. I can't.
Ugh, so glad you thought Nathan was adorable too. I mean, it made me feel really wrong, but...Anton Yelchin is cute, okay? And I think 'resembles a frightened animal' is kind of my type. And his voice! It was really weird to be attracted to him while he was talking about his fantasies of cutting women up, though.
I imagine this is how Reid felt.♥ I abandoned the fanmix for a bit there. I still want it to be a ficmix but I lost my inspiration. I'm gonna keep trying with it, though. Thank you for the support/squeeing, it really helps!!
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Date: 2011-03-19 10:44 pm (UTC)LOL reid'd be like 'there's an x percent chance that you cut the x artery, i'll start losing blood at the rate of x pints per minute' AND THE PANIC THAT WOULD ENSUE ahaha. or at the hospital and reid's like 'i'm depressed? cutting makes the pain go away?' for an explanation and NO ONE'S CONVINCED. oh geez.
but then it's like, when i think about it, even though nathan goes kind of all intense about the feeling of blood on his hands, the blade in his palm, i think he'd also have a voice in the back of his head telling him when to slow down or something because this isn't a prostitute, it's reid and there's a difference. AND HE WOULD HOPEFULLY KNOW WHEN TO BACK OFF. hopefully lol
THERE'S SO MUCH TO THIS PAIRING. IT WAS ONE EPISODE FOR CHRIST'S SAKE.
and i had to watch a clip of anton as chekov in star trek because i love that accent. he is cute. i need to watch more of his movies.
FICMIX. FICMIX. YOU KNOW WHO WANTS A FICMIX? EVERYBODY. jsyk.
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Date: 2011-03-19 11:07 pm (UTC)NATHAN TRYING TO GET OUT EARLY JUST SO HE CAN SEE REID AGAIN. God I want to write like all of these different scenarios - like, when he leaves, or whether he CHOOSES TO STAY because he's just that scared of hurting someone when he gets out, and whether he and Reid stay in touch or not, etc etc. SRSLY IT WAS ONE EPISODE, WHAT IS WITH THIS SHIP. KIND OF NICE TO COME HOME TO A POTENTIAL PSYCHOPATH WHAAAT. I LOVE IT.
Yes, no one would believe him - like, doctors probably would but the team wouldn't because they a) know Reid and b) can probably profile self-harmers like nobody's business, and so they'd be like "suuuure okay," and wondering what the hell is REALLY going on that's so bad that Reid lied about cutting himself. I'm sort of fascinated by the idea of the team figuring it out, because you know that they WOULD, but it's hard to work out who would say something to him about it, and what they'd DO.
I agree - with all of Nathan's self-awareness and guilt, he'd have to know deep down that he should be careful. But I also think that it's possible he'd just totally lose it. But it depends, 'cause I think if his feelings about Reid were strong enough, he wouldn't want to do too much damage. Like, with the prostitutes, he actually wants to kill them, but I don't think he'd want to kill Reid? It's not like he has no feelings and can't get attached to people, so he cares about him, and doesn't want to hurt him too badly.
OH MY GOD I did the same thing, I was looking up Anton on Youtube and watching various scenes of things I knew nothing about just for his face. And his accent in Star Trek! I love it, and I especially love that apparently it's so spot-on because he is actually Russian and knows the accent really well.
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Date: 2011-03-20 02:41 am (UTC)if nathan stayed, if nathan staaayed. omg. if like. he's just so afraid of that and of himself and it just gets worse and worse and reid's always checking on him, asking his doctor or whomever how nathan's doing and the looks he receives, like what if nathan had to stay institutionalized foreverrr. i think reid would feel sooo bad and he would just work harder and harder to get nathan out of there and he'd become obsessed with nathan and his guilt and trying to make things work for the kid until someone has to interfere. like i can just hear morgan, "look, man, there's nothing you can do. nothing. nathan has problems, deep-seated mental problems and you can't fix him". I WILL NEVER STOP COMING UP WITH THESE SCENARIOS.
omggg lol they would totally profile reid and magically figure out what's happening and who would do what, like if they tried to get reid to get nathan back into the institution, saying it's what's best because it kind of really is and they can be realistic about this whereas reid is totally blindsided by his need to help and be there for this kid gaaah. and for reid and nathan to have to go through that again, saying goodbye, nathan having to give up his freedom again, could they handle it, really, nathan hated it there, without reid, without understanding, it was--. UGH. WRITE EVERYTHING.
and if they diiid lose contact, reid gets too busy, something, and nathan is released and angry that reid wasn't there and maybe he does kill someone and then the team has to search for him, just like rossi saaaidd omg that would break my heart. and reid's. BUT IT WOULD BE SO INTENSE. i'd probably love every second of it /sob
LOL it's so complicated. how nathan has these extreme desires to hurt people but with reid it's different. KISS ME, KILL ME (mesttt). RIGHT? that's all i can think of, their relationship would be so fucked up and there are just so many metaphors i want to use to describe it but i'll stop because
I THINK MAYBE THESE COMMENTS KEEP GETTING LONGER IT'S RIDICULOUS HOW CAN THERE BE SO MUCH LOVE IDK.
lastly: anton's middle name, viktorovich, i have this, like, unnatural love for it. IDEK but TO HEAR HIM SPEAK RUSSIAN. I WOULD DIE HAPPY. omg what a kink.
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Date: 2011-03-21 11:16 am (UTC)GOD I read a fic the other day actually where Reid CHECKED HIMSELF INTO NATHAN'S INSTITUTION (
after making out with him) and then the fic ended there and I pretty much died. It's here (http://community.livejournal.com/omg_fics/26044.html), btw. But that got me thinking about how if he did end up there in some AU, for the drug addiction or if he ended up with schizophrenia, and they were there together. *brain explodes*SRSLY SO MANY POSSIBILITIES.
AND YES, that one that we haven't really discussed because of how AWFUL it is, the idea of Nathan actually killing someone. Like, I know Anton Yelchin is like a movie star now but HOW AWESOME WOULD IT BE if he came back and guest-starred again as the ACTUAL unsub, and they had to catch him? Can you imagine Reid's realisation that it was Nathan? I think that imaginary episode would completely tear out my heart, but I want it anyway.
And it would tie up so well with the end of the actual episode, with Reid being all "what if he kills someone" and Gideon being like "then you catch him" LIKE THAT WOULD BE NO BIG DEAL OR ANYTHING, and Reid would have a total breakdown probably because he's trying to approach it like any other case but he just can't handle the fact that Nathan did this, and he'd feel so GUILTY because he's the one who saved Nathan's life and made it possible in the first place. ;_;
COMMENTS GETTING LONGER, CAN'T STOP
Total foreign accent/language kink and guhhh I love the way Russian sounds, HE SHOULD SPEAK RUSSIAN IN SOMETHING, I WHOLEHEARTEDLY AGREE.
ALSO you may or may not have seen this but I finished the ficmix (http://likecharity.livejournal.com/190642.html)! I thought I should mention that. XD
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Date: 2011-03-21 06:57 pm (UTC)AND THAT FIC. IS THAT IT. WHAAAT. I NEED THEM THERE TOGETHER AND GOING TO GROUP THERAPY SESSIONS, especially if reid developed schizophrenia, uuugh, AND TAKING WALKS AROUND THE COURTYARD IDEK WHAT DO THEY DO THERE. i'm probably stuck on old-school psychiatric hospitals LOL
lol rossi why did i say rossi. BUT YESSS. like gideon saying that was FORESHADOWING LOL. FROM SEASON 2 HAHA. i'm gonna end up sitting here convincing myself it'll happen and IT NEVER WILL /SOB and maybe if it did happen, would reid try to make up a fake profile, to protect nathan, something, but everyone would already knooow and if they caught nathan, to go from visiting the kid in the institution to visiting him in prisonnn, would he try to push the case in nathan's favor, do everything in his power to make sure nathan doesn't get the maximum sentence or can plead insanity it'd be so haaard, would the team even let him be there for nathan?? SO MANY QUESTIONS. THIS NEEDS TO HAPPEN JFC.
AND NOW IT'S LIKE. MATTHEW IS A HIGH SCHOOL TEACHER AND ANTON IS THE RUSSIAN FOREIGN EXCHANGE STUDENT WHAAAT. i'm going to be obsessing over this WHILE AT WORK WHAT IS THIS EVEN UNFAIRNESS TOTALLY.
yesyesyesss i saw that last night like two seconds before going to sleep because APPARENTLY MY EMAIL DOESN'T LIKE TO PICK UP ON YOUR UPDATES so i went to your profile just in case and BAM THERE IT WAS but i was so tired FUCK so i skimmed it and IT LOOKS FUCKING FAB but i'll read it for real after i get ready in two seconds because YOU TAKE PRIORITY lol and the forming of a comment might not come until later tonight WHY DO I HAVE TO WORK FFFF. and i'll even use my new obligatory icon on anton that i had a compulsion to make! wait for meee!
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Date: 2011-03-24 04:54 pm (UTC)IKR I WANT MOAR. Walks around the courtyard = possibly old-school but DO WANT regardless of realism. And like sneaking into each other's rooms at night and trying to keep their ~thing~ a secret because patients being involved with each other is frowned upon ANYWAY but especially when there's an age difference like that. And I legit can't cope with the idea of schizophrenic!Reid in this scenario like at all, because Nathan would be the more sort of technically sane one, and maybe looking after him, and. I can't. ;_;
RIGHT? God that episode would be sooooo amazing. It would be so interesting to see how Reid would handle it - like whether he would be able to do his job or if he'd be subconsciously coming up with things to try sabotage the investigation because deep down he knows it might be Nathan and he can't cope with that, so he tries to convince himself and everyone else that this is TOTALLY a killer in his late 40s or something. God, and if he got taken off the case for personal involvement! And the whole time the team would be like "OKAY HE *ACTUALLY KILLED PEOPLE* THIS TIME, REID. THIS IS NOT COOL." And Reid just keeps trying to make excuses, even when Nathan is telling him what he did and saying he doesn't deserve Reid's sympathy and goddddd. THIS PAIRING.
RPS HIGH SCHOOL TEACHER/FOREIGN EXCHANGE STUDENT AU = DO WANT. Have you seen this (http://www.youtube.com/watch?v=KJ3IQZujpuo)? I ASSUME YOU HAVE, BUT LET'S TALK ABOUT IT. HUGGING!!
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Date: 2011-03-25 02:35 am (UTC)WRITE! WRITE! WRITE!
no subject
Date: 2011-03-25 10:12 pm (UTC)I'll try!!
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Date: 2011-04-02 12:06 am (UTC)AND MORE ANGST if reid did develop schizophrenia, it's like a whole "the notebook" scenario in my head, reid's too far gone to realize what's happening most of the time and nathan's trying so hard to hold on to him because reid's the only one that makes it betterrr IDK. the team VISITING HIM IN THE INSTITUTION? talk about legit unable to cope with it, it'd be crushing, omg.
LOL totally a killer in his late 40s. and nathan going straight to reid after killing someone, there's still blood under his nails, and he tried to scrub his hands clean, he really did, didn't want reid to see him like that, but his breathing is labored, there's a sheen of sweat covering his brow, full of jitters and shame--OMG IF REID GOT INVOLVED, "nathan, where's the body? where's the body, nathan?" BECAUSE HE'S GOING TO HIDE IT, nathan's just a kid, he's just confused, REID'S JUST WANTING TO HELP, linfdlisja i can't even.
UH NO? i'm not much of a vid searcher SO IF THERE'S SOMETHING I SHOULD BE SEEING, feel free to send it to me lol AS IN THIS CASE. HUGGINGHUGGINGHUGGING chrissst. matthew = like. new favorite person, maybe? YES. and with the "do you trust me?" *SLAP* i had to literally pause the vid and leave the room because i was laughing so hard, thank god i was home alone lol and matthew being SO SERIOUS and anton trying so hard not to laugh, jfc, it was all ridiculously adorable, this is my life. i love hearing matthew talk about nathan, like maybe i want him and anton having sex with anton roleplaying nathan WHAT lol idk. MATTHEW DRAWING THE BEARD ON ANTON'S FACE WITH HIS FINGERS linfdali touchiiing, the barest of brushes against anton's face and he had NO IDEA it was such a sensitive area for him hahaha oh geez, they're like little kids with each other I LOVE IT. and watching anton do push ups UM. MORE PLEASE. AND THE SIGNED PICTURE, omg, how can anton's arm look so fucking perfect wrapped around matthew's shoulder like that, AND MATTHEW, with his head buried in the crook of anton's shoulder and neck PERFECTION. good lord, the crying, the head shaking THIS IS MY LIFE. ugh i love it.
and i'm watching criminal minds on tv (lol because it's on every fucking hour it seems, no complaints) and the episode is "plain sight" and it's only the fourth ep of season 1 and they're talking about the part of the verse the tommy killer wrote on the mirror and everyone's wondering who the hell knows parts of a 16th century poem or whatever about death AND REID'S LIKE "you should see the results you get when you type death into the search bar" or something LIKE THIS IS WHAT HE DOES. THIS BEHAVIOR. FROM SEASON ONNNE. lolol i cling to these things and like to pretend they're actual proof.
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Date: 2011-04-02 11:55 am (UTC)OH MY GOD I never thought about Nathan actually going straight to Reid, because I always had these two separate scenarios in my mind of like, either he's released from the institution and he makes contact with Reid and they become friends/lovers, OR he becomes a serial killer. But god, the idea of him becoming a killer despite the fact that he has Reid by his side, helping him through it...and can you imagine if Reid had to get involved like that? I can't even. Like, either that he would have to arrest Nathan and bring him in, and he'd be crying and apologising and saying he has to, and Nathan would feel so betrayed even though he understands, really, that he deserves this. OR Reid getting so wrapped up in Nathan that his moral compass is totally skewed and he actually covers Nathan's tracks for him and is like "okay, you messed up, it's okay, it was just one time, you're not going to do it again right?" and convincing himself it's out of Nathan's system. Ughhhh.
LMAO I KNOW THEY ARE SO ADORABLE. I love the idea of MGG being like "so I'm gonna make this video" and explaining this bizarre idea and Anton being like LOLWUT? but going along with it. THEY TOTALLY ARE LIKE LITTLE KIDS TOGETHER. Omg I want fic of themmm. And lol the beard bit!! I love Anton's reaction when Matthew's just like "gonna put my fingers on your face now, k?" AND WHEN MATTHEW SINKS HIS HEAD DOWN ONTO ANTON'S SHOULDER, and mumbles "I love you man," WHAT EVEN ARE THEY. ♥
SPEAKING OF VIDEOS you should also see this (http://www.youtube.com/watch?v=Q-Ot9kJInsI) because it totally made me fall in love with him.
LOL I REMEMBER THAT BIT. REID. WHAT. REID. There's a macro somewhere that's Reid's face and it says like "type 'death' into Google for fun - wonder why you can't get a date'. ♥
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Date: 2011-04-07 05:01 am (UTC)NGGGH i will never get over the pics of mgg in the beginning of the vid JUST OH SO CHEESY that red turtleneck the blue jeans his haaaiir so fabulous lol omg i really need there to be a sequel to nathan's ep
AND THAT VIDEO. THE FACT THAT HE WAS SOOO NERVOUS ABOUT THE KISSING SCENE i fucking love it. i also fucking love shemar holding mgg's chin in the very beginning lol and the ridiculously terrible joke that he was so into telling and NO ONE LAUGHS lolol the best. i wanna meet this kid so hard i wouldn't even be able to say anything but it'd be okay because he's amazing omg. OFFERING TO HELP MOVE THE BED "i'm incredibly weak" lol fuck me. WITH HIS PHEASANT SHEETS WHO EVEN. I CAN'T. and wearing a drawing of himself drawn by himself on his own t-shirt, like major douche-age BUT IT'S OKAY <3 <3 the fact that he's so in love with his last name and monograms lol i can't even. AND OMG THE MISMATCHED SOCKS FOR SEVEN YEARS. SEVEN YEAAARSS. wearing little girls' socks how does he even exist idek it's ridiculous. and getting lost just trying to beat shemar there this kid THIS KID. okay, okay, THE ADVICE FROM HIS CAST MATES, his impression of mandy, SLIP HER THE TONGUE holy fuck lol i am so envious of amber heard THE NEED TO MEET HIM fuck.
and i was watching the ep "L.D.S.K." today and reid SHOOTING THAT UNSUB right in the fuckin head "i was aiming for his leg" and NOT FEELING ANYTHING and gideon telling him it's just because it hasn't hit reid yet BUT HE IS UNCONVINCED, it seems, MORE EVIDENCE that maybe once he meets nathan the possibility of covering for him to the extremes MAYBE ISN'T SO FAR OUT THERE? idk just REID TURNING INTO A SERIAL KILLERRR
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Date: 2011-04-20 11:22 am (UTC)THERE NEEDS TO BE A SEQUEL ugh I almost wish I'd never imagined the possibility because it's never going to happen and now I want it so bad.
MGG'S ANXIETY ABOUT THE KISSING SCENE IS MY FAVOURITE. How he's just rambling nervously and totally over-analysing it, and the bit about how he FORGOT ALL HIS LINES after the first time he kissed her. ♥ And he is so hilarious, my god - every single bit of that, all his weird quirks. HE'S KIND OF THE BEST.
Omg L.D.S.K., I had forgotten about how he didn't feel anything after shooting the guy in the head ohgod ohgod, that's kind of a big deal. GOD can you imagine if it went even further than just Reid keeping Nathan's murders a secret, like if the first time Nathan did it it was just like this sudden explosion of feelings and he didn't plan it, and so he left everything a mess and called Reid crying and Reid had to go and help clean up, and dispose of the evidence. And he'd be so perfect at it because he knows exactly what would lead the police to Nathan, but then he just ends up being drawn further and further into it because Nathan keeps needing his help.
Ugh, and then the more he does it, the more he starts to like it, because his attachment to Nathan is now all mixed up with the blood and the dead bodies and it becomes harder and harder to separate them in his mind. ESPECIALLY IF after Nathan's killed someone he's like more aroused than ever, and so when Reid shows up at the motel or whatever Nathan is just immediately all over him, and it's that whole thing with Reid needing to feel wanted and not being able to deny Nathan anything, even when Nathan's got blood all over him and he's being really rough and he's just killed someone. SO FUCKED UP. BUT SUCH A THING. I CAN'T.
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Date: 2011-05-02 01:26 am (UTC)LOL he goes on about the kissing scene for, like, over half of the video, it's fabulous. like he's never done it before and then everyone's watching and forgetting his lines, yesss, lol, i'd be humiliated. IT'S TOO MUCH.
guuh nathan calling reid crying about the fact that he just MURDERED SOMEONE. like, "i'm on the corner of 5th and 6th, can you come get me?" omg i don't wanna laugh but like. LOL. and OHGEEZ reid being perfect at clearing the evidence, asking nathan if he left anything behind, if he was seen, checking for cameras, anything, i wonder how grateful nathan would be, thinking about how he can do this again because reid's there for him. AND RIGHT. LIKING IT. the first kill for nathan brought on such an onslaught of emotion for him and for reid, having to clean up for him, heart pounding the whole time, completely on edge it's like a high. and then nathan afterwards, completely getting off on killing someone, on seeing reid hide the body, wipe for prints, whatever, and reid starts associating the anxiety of nathan killing someone and having to hide the evidence with the way nathan is after, aroused and just totally all over reid AND IT'S ALMOST LIKE HE WAITING FOR NATHAN TO KILL AGAIN? just to get the intensity of those feelings back A FUCKED UP CIRCLED INDEED.
AAAND. AUGH. AUGH. ANTON SPEAKING RUSSIAN. like. just. stumbling over his words and making the audience laugh and zoe saldana next to him, just in awe, watching him the whole time, lol, that'd be me right there. HEARING HIM SPEAK RUSSIAN AUGH MY LIFE IS COMPLETE. WHERE IS MORE OF THIS?? THANK YOU.
AND CHARLIE BARTLETT. i can't even imagine doing that scene without just pissing myself with laughter the whole time, hahaha. THIS KID. WHO STARS IN MOVIES LIKE ALPHA DOG AT FIFTEEN. and the fact that one of them was amber heard (REALLY WORLD) and amanda seyfried whom i kinda loved in chloe AND THAT JUST OPENS UP A WHOLE OTHER WORLD what even. ugh i can't believe these people are so ridiculously intertwined like. IDK.
FINALLY. like kissing kat after matt kisses her, like drinking out of the same soda can as your crush LOL "it totally counts!" omg i love mgg developing a crush on him and i love kat realizing it and using it and maybe telling mgg about the way he kisses her and one day mgg kinda corners anton and is like, "kiss me", and of course anton freaks out but mgg's all, "kat said you're a better kisser and i need to know so this is purely scientific that's it that's it just. come here" AND PROCEEDS TO MAKE OUT WITH HIM?
I NEED TO SEE ALL THE MOVIES THIS KID IS IN.
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Date: 2011-05-03 02:43 pm (UTC)OH GOD Nathan thinking he can do it again because Reid is there for him, they're in this together, Reid can cover up for him and he won't get caught. And like deep down he knows it can't last but he's just so high from it and naive and excited because it's what he's wanted for so long. GOD how wrong is it that it's hot to think of him being all worked up from it and just throwing Reid down on the bed, though, and like - it just makes sense to me that it would become a connection in Reid's mind, because of that whole thing we've talked about before with how he's never really felt WANTED like that, and Nathan would want him so bad that it would be overwhelming. Ugh, and waiting for him to kill again just so he can feel that. REEEEID, BABY. :(
Seriously though on a more positive note, hnnnng Anton speaking Russian, right?? I love how the audience laughs because like, idk, the idea of him actually being able to MAKE JOKES IN RUSSIAN is inordinately hot to me. ANTON PLEASE SPEAK RUSSIAN MORE OFTEN. PLEASE. I'm currently kinda making my way through everything he's been in, you should definitely do the same, I AM KIND OF FALLING IN LOVE WITH HIM, he's so great. ♥ I just watched this one where he was a drug dealer and made out with sisters, and before that I watched his episode of Law & Order where he was sleeping with his teacher. ANTON, I LOVE EVERYTHING ABOUT THE ROLES YOU CHOOSE.
The other day I got really obsessive and tried to figure out an actual timeline for all this interlinking nonsense and it SEEMS like the Criminal Minds episode would have been filmed after Charlie Bartlett, but if I ever write fic about this I'm going to use artistic license and swap that around, because I just love the idea of MGG already knowing Anton before he does the movie with Kat. Because YES Kat getting involved and teasing him about it and like, it's all kind of a big joke to her and she doesn't think it's SERIOUS, and then, yeah, MGG/Anton makeouts occur.
EXCEPT Anton was 17 and MGG was like 26 and that's probably awful. DAMMIT ANTON WHY DID YOU HAVE TO BE SO YOUNG. Maybe there is just mutual crushing for a while and then sort of using Kat to work out their desires for each other, because she's kind of in between their ages, and then maybe Kat eventually is like OKAY THIS IS TOO WEIRD FOR ME and she and MGG break up, and by that time Anton is older or at least legal and then everything is fine. (I am basing this off the fact that Kat recently said some thinly-veiled mean things about MGG in an interview so I assume they had a bad break-up and I want to imagine in this fic-world that it's because of Anton, although Anton went to a movie premiere of hers last year to support her apparently so I guess THEY'RE still friends, and, whatever. WHAT IS ALL THIS INSANITY.)
To round it off, HOW MUCH DOES THIS LOOK LIKE FLIRTING?? A LOT.
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Date: 2011-05-08 06:52 pm (UTC)and so just yesterday my mom and i and some of my mom's friend went on a little garage sale trip and THE FIRST THING I FOUND. THE VERY FIRST THING. was the dvd of alpha dogs. FUCKING MEANT TO BE, RIGHT?? so i bought it and spent last night watching it and seeing slash everywhere (god, just everrryywherrre) and then crying my little heart out at the enddd and jfc anton is such a freaking amazing actor i can't even. the whole time just this fabulous little 15 year old kid and he was perfect and IT WAS GOING SO WELL. i suppose the ending wouldn't have been such a shock if i knew about jesse james hollywood's case and such but i didn't and then anton was crying and fucking timbalone i love him so much too but it was horrible HORRIBLE. and of course THE POOL SCENE. ngggh. NGGGH. i saw anton!ass and squealed ridiculously. true facts. i never wanted it to end. BEING A BLACK BELT. i can't. ugh there's so much more but. ugh.
LOL i love how into this we get. but yes, i think either way would be interesting. because anton being like, "sooo. i have this movie coming up. and your girlfriend's in it", is just super. but then maybe if anton does the movie first and kat's constantly telling mgg about this kid anton and how cool he is and then mgg and anton end up having to do criminal minds together and it's so intense. AND WHATNOT. idk idk. either way IT'S ALL GOOD. especially kat teasing mgg and thinking it's a joke haha.
urrrgh anton being 17 and ON TOP OF THAT looking like he's 12 so ridiculous lol and anton attending kat's moving premiere, idk, who could stay mad at that kid?? (because obviously that's what happened)
to round it off, UM, YES. like mgg doing the little looking-away-and-then-back-at-anton thing IS TOTALLY A MOVE. and it could almost look like mgg's saying, "you're really cute" (LOL WHAT I'M STRETCHING), and anton's being all blushy-blushy ohoho so cuuute. and no matter how many times the director had them redo that scene, it just always seemed to turn out like that so FUCK IT. lolol this is fabulous~
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Date: 2011-05-15 07:00 pm (UTC)jfc how is there still more to say about this pairing. I literally have to take time to compose my answers and reply at a time when I can give these comments my full attention and stuff. /lame
Omg Alpha Dog though, I reaaaally need to rewatch that because I watched it YEARS ago and I don't remember it that well. Like I remember Anton's scene in the pool, FOR OBVIOUS REASONS (how was he 15 hoooooow), and also the end being heartbreaking, but I bet it would be 100x better (and also more heartbreaking, probably) now that I'm kind of in love with him.
UGH I CAN'T DECIDE, I started out trying it with Charlie Bartlett coming first, and that being how Anton met MGG, because he's on set visiting Kat, and Anton develops a crush on him and is like "does he mind, seeing you being someone else's girlfriend?" and she's like "nah, he's an actor too so he gets it." And then maybe MGG suggests Anton for the role of Nathan?? But yeah, I can't decide because I really do like the idea of Matthew having this inappropriate crush while they're filming the CM episode, and then he has to go through his girlfriend making out with Anton, and. Idk idk. I'm gonna have to just keep writing bits and see which works best. I WISH HE WASN'T 17 THOUGH. I have no problem with it personally because I've, uh, written worse, but I feel like it's kinda sketchy for other people. NOT THAT I AM WRITING THIS FOR ANYONE BUT YOU AND ME, AS FAR AS I KNOW.
Re: the gif, IT DOES TOTALLY LOOK LIKE THAT. Omg someone reblogged it from me on Tumblr and was like "aw, out of context it looks like Reid's asking Nathan if he wants to go get a coffee or something sometime...instead of being like, so, good luck with your homicidal urges in the hospital". SO ACCURATE. I've been makings gifs of like the whole episode because I can't help myself, right, and there's also this moment where it totally looks like Reid is checking Nathan out:
HE IS TOTALLY GIVING HIM THE ONCE-OVER. It's probably just to like, back up the fact that he noticed the way he was dressed, but seeeriously, be more subtle when checking out a 17 year old, Reid.
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Date: 2011-05-23 03:33 am (UTC)lame? LAME?? omg you don't even knooow. i have like. your reply in one tab. my previous reply in another tab. and the ficmix/fic in another tab. JUST EVERYTHING OPEN JUST IN CASE lolol it takes me so long to reply and i feel so bad BUT IT HAS TO BE PERFECT and i feel ridiculous. you make me ridiculous.
YESSS rewatch iiittt. AND THEN WE CAN TALK FOREVER ABOUT THAT TOO. do you know of any fic for this movie? idk maybe my searching skills suck or it might just be that THERE'S NOTHING, which, WHYYYY.
ohoho mgg suggesting anton for the part and they're like, "idk, we were kind of thinking of x actor for the role...", but, like, mgg just totally campaigns for him because he has a total crush on the kid and really wants to do this with him?? I'm gonna have to just keep writing bits and see which works best. YEEESSSS I WILL WAIT TILL THE END OF THE WORLD FOR THIS haha. seriously, either way, idek, you can make it work. I BELIEEEVE IN YOU. and like. the whole "17 yrs old" thing. lol right i couldn't care less and any bad remarks I WILL SHUT THEM DOOOWN haha just go with what's in your heart~~ i gueeess ha
awww reid asking nathan out for coffee WHERE IS THIS WORLD that'd be super, right, instead of good luck with your homicidal urges in the hospital. i just know that nathan wishes so hard for that, to just be normal. omg he probably dreams of such an occasion where reid could just ask him out for coffee, where they could just be friends and not have to deal with all this shit IT'S HORRIBLY DEPRESSING. this kid this kiiidd.
AND THAT GIF. do people realize they do such things? do they realize that they're being completely obvious with such actions?? like. "oh, let me 'look at your clothes'/not-so-secretly check you out simultaneously and be super obvious about it". BECAUSE THAT'S WHAT IT LOOKS LIKE REID/MGG. HAVE SHAME.
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Date: 2011-05-23 03:05 pm (UTC)Seriously though I sometimes feel like we should like, transfer this to LJ messages/email or something. BUT maybe there's someone out there who is enjoying reading our epic comment thread and we'd be depriving them of our insanity. TOTALLY POSSIBLE.
I am so glad you love Nathan, like I cannot even tell you, because I am sort of fascinated and half in love with his character and IT'S SO WRONG but I can't help it. It's not like I fall in love with serial killer characters all the time but the writers made him so sympathetic, right?? I mean, and all his insecurities and the way he's convinced everyone must hate him as much as he hates himself - it all just makes me want to hug him. I'd be so interested to write about the development of his urges, too. Like, a fic from his POV entirely would be so interesting. Remember how he said in his evaluation with Gideon that he killed a bird when he was younger? And about how the first naked woman he saw was a cadaver - and even that was sort of sympathetic, because like, he was a young boy probably just starting to get sexual urges in the first place, and the first naked woman he sees is DEAD? Obviously that's going to mess him up. It's not his fault. GAHHH NATHAN.
*adds Alpha Dog to epic list of movies to watch/re-watch* I don't know if there's any fic but THERE PROBABLY SHOULD BE.
Lolol I love the idea of MGG suggesting actors he wants to work with all the time, like he did with Amber Heard and then he was like "...shit, does she think I just recommended her for the part so we could make out?" I like to think MGG is like, constantly badgering the casting directors, just suggesting people he has crushes on.
Nathan wishing things could be normal and they could just go on a regular date. ;_; MY HEART. How adorable would it be if he tried that, if he just tried to ask Reid out? And Reid would just be like "Nathan...it can't be like this. You know that, right?" and he'd just be so heartbroken because he DOES know, but he wishes it could be different.
RIGHT? Continuing with the possible taking-clips-from-this-episode-out-of-context theme, here, have this pointless gif of Nathan leading Reid into his bedroom:
I just love the way he looks back around at him, a little nervously. And I also sort of love the idea of Reid coming round to Nathan's house - like I always imagine stuff with them happening at Reid's, but can you imagine if their relationship started out more slowly and they were just friends for a long time and Reid was checking up on Nathan when he got out of the hospital, coming round for dinner with Nathan and his Mum? And his Mum thinks it's a little weird that Nathan's friends with someone quite a bit older, but she knows he's always been so smart and mature and she's just glad he has a friend really. And she feels comforted by it because of Reid's job. And so then after dinner they go into Nathan's room and Nathan shows Reid all his graphic novels and stuff like kids sharing interests after school or whatever. WHY IS THAT SO CUTE?? WHY IS THERE ANOTHER WHOLE SCENARIO TO CONSIDER THERE? Godddd.
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Date: 2011-06-04 03:35 am (UTC)uuggh i don't understand how you can't not love this characterrr. YES he's so self-deprecating and curly-haired and I WILL ALWAYS LOVE HIM. thank you for loving him as much as, if not more, than i do :'D this poor kid THIS POOR KIIID. and it's kind of strange because he didn't have, like, a terrible childhood, like most serial killers do. they usually have an abusive dad or mom or just something deeply scarring happened to them in order for them to be as they are but just. of course, seeing a dead woman like that at that age, very, uh, disturbing and whatnot, but how many kids at that age would just freak the fuck out but something in nathan's brain clicked and to react like that, the combination, he probably couldn't stop thinking about it for so long. and all the other kids are following girls in their grade, girls that are alive, and he's got this image of a dead woman, naked, in his head and killing some bird AAAUGH. i get so emotional over this, ridiculous.
haha mgg suggesting people, "we're looking for a girl, matthew". "yeah, but, he's a really good actor, i mean--" lol
AND THEN reid being so guilty over saying no to nathan trying to ask him out, just, like, "ok, ok, we can go to the movies, but that's it, okay?" and then they have a really good time and then maybe reid asks nathan out next time because nothing bad happened the first time so it'll be fine and it just continuuuesss yesss.
REID CHECKING UP ON NATHAN. i watched ep 4x20, "conflicted", recently and at the end, adam/amanda asks reid why HE KEEPS VISITING HER/HIM, like HE KEEPS CHECKING IN ON HER and i have no doubt anymore that reid might've visited nathan if he could lol IT COULD DEFINITELY HAPPEN. uuugh. and definitely, that whole other scenario HOW ADORABLE. and maybe reid totally avoids sitting on nathan's bed at first because he's ridiculous and idekkk. but yes, the gif, like this is such a big deal for nathan because he's probably let close to no one in his room like that, apart from his mom, and of course i can just hear him, in a typical teenager voice, "come on, mom, i just want some privacy, you're always in here", and such. guh. and then reid's instantly looking around, noticing books, games, dvds, things that just belong to nathan because maybe he's still super curious about what this kid does in his free time and stuff. LOOOVE.
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Date: 2011-04-21 11:27 pm (UTC)oh god oh god oh god ANTON SPEAKING RUSSIAN (http://www.youtube.com/watch?v=Q3-fkcfaG8o)
I really don't think I can even. aslkjajjdl;kfsdhk
I AM TOTALLY SPAMMING YOU NOW, APOLOGIES
Date: 2011-04-23 12:08 am (UTC)I feel like we should talk about the fact that in the movie 'Charlie Bartlett', Anton's character's love interest is played by Kat Dennings, WHO DATED MGG. I watched the movie tonight and they have a (v. tame) sex scene and everything. I FEEL LIKE THIS IS KIND OF A THING. Both of these things were happening at around the same time, and Anton's episode of Criminal Minds might have been filmed around then too. WHAT IF MGG AND KAT WERE DATING DURING THE FILMING OF CHARLIE BARTLETT, AND ANTON WAS LIKE "SO I HAVE THIS SEX SCENE WITH YOUR GIRLFRIEND. AWKWARD." Oooor, if it happened before the CM episode, and then they met for CM and Anton was like "I HAVE BEEN IN BED WITH YOUR GIRLFRIEND. AWKWARD."
Why do I want to write RPF now. GOD DAMMIT, ALL OF THIS FROM ONE EPISODE. This is so ridiculous.
Re: I AM TOTALLY SPAMMING YOU NOW, APOLOGIES
Date: 2011-04-23 04:51 am (UTC)so i haven't seen charlie bartlett but i have seen the clip of charlie doing the monologue from misadventures of a teenage renegade LOL FOREVER i fucking love anton and so THE FACT THAT THERE'S THAT SCENE WITH MISS KAT linfdaslinf. AND MAYBE if mgg were dating kat WHILE filming charlie bartlett and then, when filming the sex scene, oh god, all anton can think about is "does kat touch matthew like this? does she kiss him full on the mouth? or a bite to his lower lip first? can she feel him hard against her thigh?" LALALA i can't even. just some sort of connection between anton having to film that with kat and then seeing mgg just so much and IT'S ALL HE CAN FOCUS ON, he was in bed with mgg's girlfriend, SHE'S BEEN IN BED WITH MGG,
ONE. FUCKING. EPISODE. write rpffff. yes. so very much ridiculous AND I LOVE IT. THANK YOU FOR MAKING RAINBOWS WITH ME :'D
Re: I AM TOTALLY SPAMMING YOU NOW, APOLOGIES
Date: 2011-04-23 10:30 am (UTC)OMG THAT PART, I died. ANTON, YOU ARE AMAZING. I'd never actually seen him in anything before besides CM obviously, oh and also I watched Alpha Dog YEARS ago. SPEAKING OF WHICH, did you know that he made out with two girls in a pool in that movie? He was like fifteen and ONE OF THE GIRLS WAS AMBER HEARD. ANTON AND MGG HAVE BOTH MADE OUT WITH AMBER HEARD IN A POOL. HOW IS THIS REAL LIFE. This means that they have both kissed two of the same actresses. Universe, what are you doing, THIS CLEARLY MEANS THEY SHOULD BE KISSING EACH OTHER.
Yessssss though, Anton always thinking of Matthew during the scenes with Kat (hnng), and maybe Matthew is on set one day visiting her and Anton sees them kiss just before they start to shoot a scene so then HE'S kissing her and his lips are where Matthew's have just been. AND I was also thinking about, when they're doing the CM episode, MGG gets this ridiculous inappropriate crush on Anton and he's in denial about it and the rest of the cast is like "hey Matthew you remember he's like 16 right" and Matthew is like "yes yes, obviously, WHY DO YOU ASK??" And he's dating Kat at the time, or starts to shortly after, and then Charlie Bartlett happens and Kat is all "oh, Anton Yelchin is my co-star" and then as her role becomes more clear to MGG he's all ABSURD CHILDISH JEALOUSY, and she picks up on it and tells him all about the kissing scenes just to mess with him.
THAT IS A THING THAT I WANT.